Lighting up Shakespeare
-
Emma Armstrong
Abstract
The Jacobean artificial light – candlelight – was as important to the playwright as lighting effects are to a modern-day designer. This chapter explores the recreation of candlelight using a safe alternative, the most modern of technology and the future of stage lighting: LEDs. In order to recreate the candlelight of Shakespeare’s stage, the research is categorized into three sections: replicating the Jacobean stage accurately, achieving a colour match for the tallow candles using LEDs and creating the ambience and “flicker” a candle emits. This is then applied practically and allowed a play to be seen authentically and uniquely whilst also revealing interesting results from experimental data.
Abstract
The Jacobean artificial light – candlelight – was as important to the playwright as lighting effects are to a modern-day designer. This chapter explores the recreation of candlelight using a safe alternative, the most modern of technology and the future of stage lighting: LEDs. In order to recreate the candlelight of Shakespeare’s stage, the research is categorized into three sections: replicating the Jacobean stage accurately, achieving a colour match for the tallow candles using LEDs and creating the ambience and “flicker” a candle emits. This is then applied practically and allowed a play to be seen authentically and uniquely whilst also revealing interesting results from experimental data.
Chapters in this book
- Prelim pages i
- Table of contents v
- Preface ix
- Acknowledgements x
- Abbreviations xi
-
Prehistoric colour semantics
- Prehistoric colour semantics 3
-
Colour and Linguistics
- Preface to Section II 29
- Towards a historical and cultural atlas of colour terms in the Near East 31
- The evolution of GRUE 53
- Linguistic categorization of BLUE in Standard Italian 67
- From blood to worms 79
- The motivational analysis of some Finnic colour terms 93
- Her blue eyes are red 109
- The spread of RED in the Historical Thesaurus of English 126
- A metaphorical spectrum 140
- Exploring the metaphorical use of colour with the Historical Thesaurus of English 153
-
Colour categorization, naming and preference
- Preface to Section III 167
- The case for infant colour categories 169
- Bornstein’s paradox (redux) 181
- Category effects on colour discrimination 200
- Colour category effects 212
- Gender differences in colour naming 225
- Personality and gender-schemata contributions to colour preferences 240
- Axiological aspects of Polish colour vocabulary 258
- The metaphysical significance of colour categorization 273
-
Colour and the World
- Preface to Section IV 287
- Color seeing and speaking 291
- Colour terms in the names of coastal and inland features 307
- Referential meaning in basic and non-basic color terms 323
- Unfolding colour in mind and language 339
- Synaesthetic associations 352
- Bach to the blues 366
- “Miss Gartside’s immediate eye” 380
- Lighting up Shakespeare 397
- Index 413
Chapters in this book
- Prelim pages i
- Table of contents v
- Preface ix
- Acknowledgements x
- Abbreviations xi
-
Prehistoric colour semantics
- Prehistoric colour semantics 3
-
Colour and Linguistics
- Preface to Section II 29
- Towards a historical and cultural atlas of colour terms in the Near East 31
- The evolution of GRUE 53
- Linguistic categorization of BLUE in Standard Italian 67
- From blood to worms 79
- The motivational analysis of some Finnic colour terms 93
- Her blue eyes are red 109
- The spread of RED in the Historical Thesaurus of English 126
- A metaphorical spectrum 140
- Exploring the metaphorical use of colour with the Historical Thesaurus of English 153
-
Colour categorization, naming and preference
- Preface to Section III 167
- The case for infant colour categories 169
- Bornstein’s paradox (redux) 181
- Category effects on colour discrimination 200
- Colour category effects 212
- Gender differences in colour naming 225
- Personality and gender-schemata contributions to colour preferences 240
- Axiological aspects of Polish colour vocabulary 258
- The metaphysical significance of colour categorization 273
-
Colour and the World
- Preface to Section IV 287
- Color seeing and speaking 291
- Colour terms in the names of coastal and inland features 307
- Referential meaning in basic and non-basic color terms 323
- Unfolding colour in mind and language 339
- Synaesthetic associations 352
- Bach to the blues 366
- “Miss Gartside’s immediate eye” 380
- Lighting up Shakespeare 397
- Index 413
