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Discursive Self in Microblogging
Speech acts, stories and self-praise
Language:
English
Published/Copyright:
2016
About this book
This volume examines the language of microblogs drawing on the example of a group of eleven users who are united by their interest in ballet as a physical activity and an art form. The book reports on a three and a half year study which complemented a 20,000 word corpus of tweets with semi-structured interviews and participant observation. It deals with two main questions: how users exploit the linguistic resources at their disposal to build a certain identity, and how the community boundaries are performed discursively. The focus is on the speech acts of self-praise and complaint, and on the storytelling practices of microbloggers. The comprehensive treatment of the speech act theory and the social psychological approaches to self-disclosure provides a stepping stone to the analysis of identity work, for which the users draw on two distinctive interpretive repertoires – affiliative and self-promoting.
Reviews
Susanne Mühleisen, University of Bayreuth:
Daria Dayter’s Discursive Self in Microblogging presents a highly original and detailed investigation of the complexities of group membership negotiation in a ballet Twitter community. The particular strength of this study lies in the careful documentation and qualitative analysis of her target group material – 1,000 tweets of ballet aficionados – while tackling larger issues of positioning through self-disclosure and narratives in a formally restricted electronic medium. The focus on self-praise – so far significantly under-researched – and third party complaints provide new insights into the significance of such speech acts for group membership status negotiation. Written in a clear and accessible style Dayter’s study will be an important resource for students and researchers with an interest in CMC and Twitter, speech acts and narrative discourse.
Daria Dayter’s Discursive Self in Microblogging presents a highly original and detailed investigation of the complexities of group membership negotiation in a ballet Twitter community. The particular strength of this study lies in the careful documentation and qualitative analysis of her target group material – 1,000 tweets of ballet aficionados – while tackling larger issues of positioning through self-disclosure and narratives in a formally restricted electronic medium. The focus on self-praise – so far significantly under-researched – and third party complaints provide new insights into the significance of such speech acts for group membership status negotiation. Written in a clear and accessible style Dayter’s study will be an important resource for students and researchers with an interest in CMC and Twitter, speech acts and narrative discourse.
Topics
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Prelim pages
i -
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Table of contents
v -
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Acknowledgements
ix -
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Chapter 1. Introducing the pragmalinguistic approach to the study of Twitter
1 -
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Chapter 2. Discursive identity
11 -
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Chapter 3. Disclosive speech acts
37 -
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Chapter 4. Twitter as a communicative environment
75 -
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Chapter 5. Describing the corpus and the annotation scheme
97 -
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Chapter 6. Self-disclosure
131 -
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Chapter 7. Third party complaints
155 -
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Chapter 8. Narratives in microblogs
175 -
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Chapter 9. Bringing the findings together
199 -
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Glossary of ballet terms
221 -
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References
223 -
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Index
245
Publishing information
Pages and Images/Illustrations in book
eBook published on:
February 22, 2016
eBook ISBN:
9789027267528
Pages and Images/Illustrations in book
Main content:
247
This book is in the series
eBook ISBN:
9789027267528
Audience(s) for this book
Professional and scholarly;