Chapter 18. Retrospect

Chapters in this book

1. Prelim pages i
2. Table of contents v
3. Preface xi
4. Personal preface by Chen Gafni xiii
5. Reuven Tsur xv
6. Introduction 1
7. Part I. Phonetic symbolism
8. Chapter 1. Methodological issues in the study of phonetic symbolism 19
9. Chapter 2. Phonetic symbolism 45
10. Chapter 3. Statistics, case study and the “Full Fine Structure of the World” 67
11. Chapter 4. Synaesthetic metaphor, Audition Colorée and phonetic symbolism 85
12. Chapter 5. Hypnotic poetry 103
13. Chapter 6. Lexical regularities 109
14. Chapter 7. Statistical vs structural-cognitive approaches to phonetic symbolism 131
15. Chapter 8. Comparing approaches 157
16. Part II. Participants’ decision process
17. Chapter 9. Enjambment – Irony, wit, emotion 185
18. Chapter 10. Studying emotive effects in poetry by quantifying open-ended impressions 203
19. Chapter 11. Poetic structure, personality style and theoretical sophistication 223
20. Part III. Voice quality
21. Chapter 12. Voice quality in the vocal performance of poetry 243
22. Chapter 13. Voice quality in the vocal performance of poetry 263
23. Part IV. Metre and rhythm
24. Chapter 14. Metre, rhythm and emotion in poetry 291
25. Chapter 15. Metricalness and rhythmicalness 329
26. Chapter 16. Postmodern un-prosody 353
27. Part V. Winding up
28. Chapter 17. Aesthetic response as problem solving 383
29. Chapter 18. Retrospect 397
30. Appendix A. Encodedness 407
31. Appendix B. Colour Interaction 411
32. Appendix C. Identifying Voiced Plosives 415
33. Appendix D. Articulatory aspect-switching 417
34. Appendix E. Perceptual Forces and Prosodic Boundaries 419
35. References 421
36. Name index 439
37. Subject index 443