Iconicity of logic - and the roots of "iconicity" concept
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Frederik Stjernfelt
Abstract
It seems to be a standard assumption that Charles Morris originated the concept of “iconicity” on the basis of Peirce’s icon-index-symbol discussion. This paper locates the origin in Peirce himself, in the context of judging the merits of different mathematical and logic representations – the more iconic such representations generally being preferable to less iconic ones, for scientific purposes. In Peirce’s Collected Papers, “iconicity” occurs in the discussion of different conventions in the logic representation system called “Existential Graphs”. This paper provides the context of logic representations in order to show how Peirce’s articulation of the concept of “iconicity” comes out of the attempt to find as iconic a way as possible to depict logical relations. Moreover, this indicates a use of “iconicity”, from the very beginning, which addresses not only similarities between different visual representations – but also visual representations of abstract contents.
Abstract
It seems to be a standard assumption that Charles Morris originated the concept of “iconicity” on the basis of Peirce’s icon-index-symbol discussion. This paper locates the origin in Peirce himself, in the context of judging the merits of different mathematical and logic representations – the more iconic such representations generally being preferable to less iconic ones, for scientific purposes. In Peirce’s Collected Papers, “iconicity” occurs in the discussion of different conventions in the logic representation system called “Existential Graphs”. This paper provides the context of logic representations in order to show how Peirce’s articulation of the concept of “iconicity” comes out of the attempt to find as iconic a way as possible to depict logical relations. Moreover, this indicates a use of “iconicity”, from the very beginning, which addresses not only similarities between different visual representations – but also visual representations of abstract contents.
Chapters in this book
- Prelim pages i
- Table of contents v
- Preface and acknowledgements vii
- List of contributors ix
- Introduction 1
-
General
- Three paradigms of iconicity research in language and literature 13
- Iconicity of logic - and the roots of "iconicity" concept 35
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Sound Meets Meaning
- Iconic inferences about personality 57
- Phonemes as images 71
- Synaesthetic sound iconicity 93
- What’s in a mimetic? 109
- Iconicity in the syntax and lexical semantics of sound-symbolic words in Japanese 125
- A corpus-based semantic analysis of Japanese mimetic verbs 143
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Language Meets Literature
- Iconicity in translation 163
- The days pass … 185
- Visual, auditory, and cognitive iconicity in written literature 207
- Don’t read too much into the runes 219
-
Grammar Meets Iconicity
- Iconicity in question 241
- Rethinking diagrammatic iconicity from an evolutionary perspective 259
- Author index 275
- Subject index 277
Chapters in this book
- Prelim pages i
- Table of contents v
- Preface and acknowledgements vii
- List of contributors ix
- Introduction 1
-
General
- Three paradigms of iconicity research in language and literature 13
- Iconicity of logic - and the roots of "iconicity" concept 35
-
Sound Meets Meaning
- Iconic inferences about personality 57
- Phonemes as images 71
- Synaesthetic sound iconicity 93
- What’s in a mimetic? 109
- Iconicity in the syntax and lexical semantics of sound-symbolic words in Japanese 125
- A corpus-based semantic analysis of Japanese mimetic verbs 143
-
Language Meets Literature
- Iconicity in translation 163
- The days pass … 185
- Visual, auditory, and cognitive iconicity in written literature 207
- Don’t read too much into the runes 219
-
Grammar Meets Iconicity
- Iconicity in question 241
- Rethinking diagrammatic iconicity from an evolutionary perspective 259
- Author index 275
- Subject index 277
