Discriminating Pitch Accent Alignment in Spanish
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Rebecca E. Ronquest
Abstract
While much acoustic-phonetic evidence has accumulated which proves the existence of two phonetically distinct peak alignments (L+H* and L*+H) in Spanish declaratives, whether or not the two alignments are phonologically distinct remains a topic of debate. The goal of the present paper is to utilize perceptual data, as opposed production data, to establish whether listeners can distinguish between the two pitch accents. Participants took part in a perceptual task in which they were asked to discriminate between the peak alignments. The results indicate that participants had a bias to respond “same” to the majority of the experimental trials, which may explain why performance on “different” trials was poor. Sensitivity (A’) scores, however, indicate that overall, participants could discriminate some differences in the signal. The findings suggest that listeners could not successfully discriminate between the different pitch accent alignments. However, more evidence is needed to rule out the two pitch accent analysis.
Abstract
While much acoustic-phonetic evidence has accumulated which proves the existence of two phonetically distinct peak alignments (L+H* and L*+H) in Spanish declaratives, whether or not the two alignments are phonologically distinct remains a topic of debate. The goal of the present paper is to utilize perceptual data, as opposed production data, to establish whether listeners can distinguish between the two pitch accents. Participants took part in a perceptual task in which they were asked to discriminate between the peak alignments. The results indicate that participants had a bias to respond “same” to the majority of the experimental trials, which may explain why performance on “different” trials was poor. Sensitivity (A’) scores, however, indicate that overall, participants could discriminate some differences in the signal. The findings suggest that listeners could not successfully discriminate between the different pitch accent alignments. However, more evidence is needed to rule out the two pitch accent analysis.
Chapters in this book
- Prelim pages i
- Table of contents v
- Foreword vii
- Null Expletives and Case: The View from Romance 1
- On the Existence of Null Complementizers in Old French 19
- On the Lack of Transparency Effects in French 37
- On the Syllabification of Prevocalic /w/ in Judeo-Spanish 51
- Word Order and Minimalism 69
- The Status of Old French Clitics in the 12th Century 89
- Towards a Unified Account of Positive and Negative Polarity: Evidence from Romanian 105
- Correlativization and Degree Quantification in Spanish 121
- Imperfect Variation and Class Marking in the Old Spanish Third Conjugation 143
- Licensing Negative Fragments and the Interpretation of Comparison 157
- Developing I-Language in L1 and L2 173
- Crypto-Variation in Italian Velar Palatalisation 193
- Antisymmetry and the Typology of Relative Clauses: Morphological Evidence from Romance 209
- Romance Paths as Cognate Complements: A Lexical-Syntactic Account 227
- Discriminating Pitch Accent Alignment in Spanish 243
- Proscriptions…Gaps…and Something in Between: An Experimental Examination of Spanish Phonotactics 261
- Romanian Palatalization: The Role of Place of Articulation in Perception 277
- Putting in Order the Spanish DP 291
- The Domain of Palatalization in Romanian 307
- Rhotic Metathesis Asymmetries in Romance: Formalizing the Effects of Articulation and Perception on Sound Change 321
- The Left Edge in the Spanish Clausal Structure 339
- Index 359
Chapters in this book
- Prelim pages i
- Table of contents v
- Foreword vii
- Null Expletives and Case: The View from Romance 1
- On the Existence of Null Complementizers in Old French 19
- On the Lack of Transparency Effects in French 37
- On the Syllabification of Prevocalic /w/ in Judeo-Spanish 51
- Word Order and Minimalism 69
- The Status of Old French Clitics in the 12th Century 89
- Towards a Unified Account of Positive and Negative Polarity: Evidence from Romanian 105
- Correlativization and Degree Quantification in Spanish 121
- Imperfect Variation and Class Marking in the Old Spanish Third Conjugation 143
- Licensing Negative Fragments and the Interpretation of Comparison 157
- Developing I-Language in L1 and L2 173
- Crypto-Variation in Italian Velar Palatalisation 193
- Antisymmetry and the Typology of Relative Clauses: Morphological Evidence from Romance 209
- Romance Paths as Cognate Complements: A Lexical-Syntactic Account 227
- Discriminating Pitch Accent Alignment in Spanish 243
- Proscriptions…Gaps…and Something in Between: An Experimental Examination of Spanish Phonotactics 261
- Romanian Palatalization: The Role of Place of Articulation in Perception 277
- Putting in Order the Spanish DP 291
- The Domain of Palatalization in Romanian 307
- Rhotic Metathesis Asymmetries in Romance: Formalizing the Effects of Articulation and Perception on Sound Change 321
- The Left Edge in the Spanish Clausal Structure 339
- Index 359
