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Introduction

  • Svend Erik Larsen , Steen Bille Jørgensen and Margaret R. Higonnet
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Landscapes of Realism
This chapter is in the book Landscapes of Realism

Abstract

Pathways through realism, the second of the two volumes within the Landscapes of realism project, is the most recent addition to the series A comparative history of literatures in European languages. The Introduction to Volume I, Mapping realism, also serves as a general introduction to the project as a whole; written by the volume’s three editors, Dirk Göttsche, Rosa Mucignat and Robert Weninger, but discussed and approved by all six editors of the two volumes, it delineates the project’s theoretical and conceptual premises, presents some background on its structure, and outlines its approach to literary studies as part of a collaborative project in comparative literary history – while also detailing the limits imposed on the project and its scope by the nature of its subject. The present volume is built on that same foundation. For a description of the overall parameters and modi operandi of the project as well as for additional bibliographical references, we hence refer the reader also to the bibliography included in the project’s general Introduction in Volume I. However, we find it important nonetheless to share here with readers new to the project some of its background and guiding principles. We begin with a condensed recapitulation of the argument presented in that general introduction, followed by an overview of the aims, structure and contents of Pathways through realism.

Abstract

Pathways through realism, the second of the two volumes within the Landscapes of realism project, is the most recent addition to the series A comparative history of literatures in European languages. The Introduction to Volume I, Mapping realism, also serves as a general introduction to the project as a whole; written by the volume’s three editors, Dirk Göttsche, Rosa Mucignat and Robert Weninger, but discussed and approved by all six editors of the two volumes, it delineates the project’s theoretical and conceptual premises, presents some background on its structure, and outlines its approach to literary studies as part of a collaborative project in comparative literary history – while also detailing the limits imposed on the project and its scope by the nature of its subject. The present volume is built on that same foundation. For a description of the overall parameters and modi operandi of the project as well as for additional bibliographical references, we hence refer the reader also to the bibliography included in the project’s general Introduction in Volume I. However, we find it important nonetheless to share here with readers new to the project some of its background and guiding principles. We begin with a condensed recapitulation of the argument presented in that general introduction, followed by an overview of the aims, structure and contents of Pathways through realism.

Chapters in this book

  1. Prelim pages i
  2. Table of contents vii
  3. List of illustrations xi
  4. Editors’ preface and acknowledgments xiii
  5. Note on translations, cross-references and documentation xv
  6. Introduction 1
  7. Chapter 1. Psychological pathways
  8. Core essay
  9. “Memories inwrought with affection” 29
  10. Case studies
  11. The interplay between emotion and memory 135
  12. Situations of sympathy 151
  13. The poetics of disgust in realist fiction 169
  14. Attunement 185
  15. Spanish and Latin American memory novels 201
  16. History and untold memories 217
  17. Chapter 2. Referential pathways
  18. Core essay
  19. Material matters 233
  20. Case studies
  21. Curating realism in a world of objects 271
  22. Caricature and realism 287
  23. Realism and allegory 303
  24. “Distance avails not” 317
  25. Toward affective realism 337
  26. Posthumanism and realism 351
  27. Chapter 3. Formal pathways
  28. Core essay
  29. Dynamics of realist forms 367
  30. Case studies
  31. Forms of realism in children’s literature 473
  32. Early theatrical realism on page and stage 489
  33. Poetry, Pessoa and realism 503
  34. The making of the historical narrative in the Swahili utenzi 519
  35. Photography and dissent in John Lewis’s graphic novel March 535
  36. The visions of John Ball 549
  37. Chapter 4. Geographical pathways
  38. Core essay
  39. Dialogic encounters 565
  40. Case studies
  41. Varieties of theatrical realism after Ibsen 667
  42. Is there a notion of ‘realism’ in traditional China? 685
  43. Worlding of realism 703
  44. The real magic in Miguel Ángel Asturias’s magical realism 721
  45. Narrate or describe 737
  46. Realism in the colony 751
  47. Notes on contributors 763
  48. Index 767
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