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Articulate Flesh

D. H. Lawrence and the Modern Media Ecology
  • Michael Wutz
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© 2014 John Benjamins B.V. / Association Internationale de Littérature Comparée

© 2014 John Benjamins B.V. / Association Internationale de Littérature Comparée

Chapters in this book

  1. Prelim pages i
  2. Table of contents v
  3. General Introduction
  4. Literature and Multimedia through the Latter Half of the Twentieth- and Early Twenty-First Century 1
  5. Part One. Multimedia Productions in Theoretical and Historical Perspective
  6. A. Theoretical Explorations
  7. Electronic Literature and Modes of Production 27
  8. Methodological Rationale for the Taxonomy of the PO.EX Digital and Digital-Network Paradigm 42
  9. The Role of Genetic Criticism in the Debates Concerning Literary Creativity 56
  10. B. Historical Contextualizations
  11. Beckett and Beyond: Ergodic Texts, the Neo-Baroque, and Intermedia Performance as Social Sculpture 63
  12. A Forerunner of “Cybridity” 79
  13. Articulate Flesh 91
  14. Part Two. Regional and Intercultural Projects
  15. Picking Up the Pieces 107
  16. Postcolonial Co-Ordinary Literature and the Web 2.0/3.0 123
  17. Agency through Faith 145
  18. New Literary Hybrids in the Age of Multimedia Expression 158
  19. Russian and Other Eastern European Literatures on Digital Maps 182
  20. The Memory of the Holocaust and the New Hyper/Cyber-Textuality 193
  21. Part Three. Forms and Genres
  22. On Codework 207
  23. “Womping” the Metazone of the Festival Dada 221
  24. Nonfiction Comics as a Medium of Remembrance and Mourning and as a Cosmopolitan Genre of Social and Political Engagement 232
  25. Hybridization of Text and Image 251
  26. Communicating Posthuman Bodies in Contemporary Performing Arts 271
  27. The Image between Cinema and Performance 290
  28. Eastern European Writers’ Online Literary Diaries 301
  29. Part Four. Readers and Rewriters in Multimedia Environments
  30. Ten Reasons Why I Read Digital Literature 315
  31. Authors, Readers, and Convergence Culture 324
  32. Author-Reader Interactions in the Age of Hypertextual and Multimedia Communication 331
  33. The E-Literary Text as an Instrument and a Ride 340
  34. Tablets and the New Materiality of Reading 357
  35. De-Scripting through Virtual Typewriters as Reported by Caliban, a Sperker of Ynglish Langbage 368
  36. Works Cited 389
  37. Contributors 427
  38. Index of Names, Titles and Major Topics 437
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