Subject Index

Chapters in this book

1. Prelim pages i
2. Dedication v
3. Table of contents vii
4. About the Editors xi
5. Introduction 1
6. Part I: Language & vision
7. Multimedia integration 15
8. Visualising lexical prosodic representations for speech applications 29
9. A simulated language understanding agent using virtual perception 39
10. The Hitchhiker’s Guide to the Galaxy 55
11. Affective multimodal interaction with a 3D agent 67
12. CHAMELEON 79
13. Machine perception of real-time multimodal natural dialogue 97
14. Communicative rhythm in gesture and speech 117
15. Signals and meanings of gaze in animated faces 133
16. Speech, vision and aphasic communication 145
17. Synaesthesia and knowing 157
18. What synaesthesia is (and is not) 171
19. Synaesthesia is not a psychic anomaly, but a form of non-verbal thinking 181
20. Part II: Language & music
21. Music and language 191
22. Expression, content and meaning in language and music 205
23. Auditory structuring in explaining dyslexia 221
24. A comparative review of priming effects in language and music 231
25. The respective roles of conscious- and subconscious processes for interpreting language and music 241
26. Aesthetic forms of expression as information delivery units 255
27. The lexicon of the Conductor’s face 271
28. How do interactive virtual operas shift relationships between music, text and image? 285
29. “Let’s Improvise Together” 295
30. On tonality in Irish traditional music 303
31. The relationship between the imitation and recognition of non-verbal rhythms and language comprehension 313
32. Rising-falling contours in speech 325
33. Part III: Creativity
34. Plenary panel session 341
35. The analogical foundations of creativity in language, culture & the arts 347
36. Creativity in humans, computers, and the rest of God’s creatures 373
37. The origins of Mexican metaphor in Tarahumara Indian religion 385
38. Is creativity algorithmic? 401
39. Subject Index 411
40. Author Index 427