Open Cultural Studies
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Editor-in-Chief:
Über diese Zeitschrift
Open Cultural Studies is a peer-reviewed, scholarly journal that explores the fields of Humanities, Social Sciences and Arts. It interprets culture in an inclusive sense, in different theoretical, geographical and historical contexts. The journal promotes new research perspectives in cultural studies, but it also seeks to map out social and political scholarship that places questions of inequalities and imbalances of power at the heart of academic debate.
Aims and Scope
We invite researchers, academics, teachers, practitioners, and educators to submit proposals for thematic issues/articles dealing with a broad range of subjects. These may include:
- History & memory,
- Medieval, Renaissance, Victorian & other cultures,
- Popular culture,
- Youth cultures & subcultures,
- Visual culture,
- Photography & film,
- Ethnic & traditional cultures,
- Comparative Literature,
- Media & communication,
- Architecture & urban studies,
- Multiculturalism, inter- & trans-culturalism,
- Gender, lesbian, gay & queer studies,
- Music & dance,
- Theatre & performance,
- Culture & education,
- Regional cultural studies,
- Political economy,
- Area studies,
- Cultural policy,
- Sports.
Ihre Vorteile
Authors publishing in Open Cultural Studies benefit from
- fair and constructive peer review
- quick online publication of accepted papers (continuous publication model)
- language polishing services upon acceptance for authors from non-English speaking regions
- all articles are freely available to the academic community worldwide without any restrictions
- promotion of published papers to readers and citers
- distribution to open access directories (such as DOAJ) and thousands of libraries worldwide
- liberal policies on copyrights (authors retain copyright) and on self-archiving (no embargo periods)
- secure archiving by De Gruyter and the independent archiving service Portico
Special issues
Open calls for papers:
Violence(s), edited by Carolina Borda (NHS Scotland) and Cristina Basso
deadline for submissions: January 31, 2025.Challenging Nihilism: An Exploration of Culture and Hope, edited by Juan A. Tarancón (University of Zaragoza)
deadline for submissions: April 30, 2025Designing the Feminist City: Projects, Practices, Processes for Urban Public Spaces, edited by Cecilia De Marinis (BAU College of Arts and Design of Barcel ona, Spain) and Dorotea Ottaviani (University of Sapienza, Italy)
deadline for submissions: May 15, 2025Post-Truth and Indigenous Environmental Justice in Canada: Myths, Media, and Reality, edited by Kamelia Talebian Sedehi (Sapienza University of Rome, Italy) and Paula Wieczorek (University of Information Technology and Management in Rzeszów, Poland)
deadline for submissions: October 31, 2025
Article Processing Charges
In order to sustain the publishing process, each article accepted for publication in Open Cultural Studies is subject to an Article Processing Charge. This fee is used to cover the costs of manuscript processing, professional typesetting and copyediting, as well as online hosting, long-term preservation, and extensive promotion to potential readers. There is no submission fee.
The regular Article Processing Charge is determined by the date of submission in the on-line submissions system:
- 1050 euro + VAT for manuscripts submitted since February 1, 2025
For more information please go to Article Processing Charges.
Publication Ethics and Editorial Policies
Detailed information on Editorial Policy, Publication Ethics, Instructions for Authors etc. can be found in the Supplementary Materials section.
For more information on De Gruyter Publishing Ethics, please see the De Gruyter Guidelines online here.
Call for Papers
Zusatzmaterial
| Journal Impact Factor | 0.5 | 2024, Journal Citation Reports (Clarivate, 2025) |
| 5-year Journal Impact Factor | 0.5 | 2024, Journal Citation Reports (Clarivate, 2025) |
| Journal Citation Indicator | 0.56 | 2024, Journal Citation Reports (Clarivate, 2025) |
| CiteScore | 0.9 | 2024, Scopus (Elsevier B.V., 2025) |
| SCImago Journal Rank | 0.185 | 2024, SJR (Scimago Lab, 2025; Data Source: Scopus) |
| Source Normalized Impact per Paper | 0.767 | 2024, CWTS Journal Indicators (CWTS B.V., 2025; Data Source: Scopus) |
| European Reference Index for the Humanities | 0 |
SUBMISSION OF MANUSCRIPTS
Open Cultural Studies encourages the submission of substantial full-length bodies of work. There are no specific length restrictions for the overall manuscript or individual sections; however, we urge the authors to present and discuss their findings in a concise and accessible manner.
Manuscripts should be submitted to the journal via online submission system Editorial Manager available for this journal at https://www.editorialmanager.com/culture/default.aspx. In case of technical problems with submission, please contact Assistant.Managing.Editor@degruyterbrill.com.
Text files can be submitted in the following formats: MS Word - standard DOCUMENT (.DOC) or RICH TEXT FORMAT (.RTF) or OPEN DOCUMENT FORMAT (.ODT) or LaTeX. For an initial submission, the authors are strongly advis ed to upload their entire manuscript, including tables and figures, as a single PDF file.
For detailed information, please see Instruction for Authors.
EDITORIAL POLICY
Unpublished material: Submission of a manuscript implies that the work described is not copyrighted, published or submitted elsewhere, except in abstract form. The corresponding author should ensure that all authors approve the manuscript before its submission.
Ethical conduct of research: The authors must describe and confirm safeguards to meet ethical standards when applicable. See Editorial Policy for details.
Conflict of interest: When authors submit a manuscript, they are responsible for recognizi ng and disclosing financial and/or other conflicts of interest that might bias their work and/or could inappropriately influence his/her judgment. If no specified acknowledgement is given, the Editors assume that no conflict of interest exists.
Copyright: All authors retain copyright, unless – due to their local circumstances – their work is not copyrighted. The copyrights are governed by the Creative-Commons Attribution Only license (CC-BY) which is compliant with Plan-S. We may also publish a paper under CC-BY-NC-ND license on author's request. The corresponding author grants the journal the license to use of the article, by signing the License To Publish. Scanned copy of license should be sent to the journal, as soon as possible.
Authorship: Authorship should be limited to those who hav e made a significant contribution to the conception, design, execution, or interpretation of the reported study. All those who have made significant contributions should be listed as co-authors. Where there are others who have participated in certain substantive aspects of the research project, they should be named in an Acknowledgement section. The corresponding author should ensure that all appropriate co-authors (according to the above definition) and no inappropriate co-authors are included in the author list of the manuscript, and that all co-authors have seen and approved the final version of the paper and have agreed to its submission for publication.
Peer Review process: Our standard policy requires each paper to be reviewed by at least two Referees and the peer-review process is single-blind. The Editors reserve the right to decline the submitted manuscript without review, if the studies reported are not sufficiently novel or important to merit publication in the journal. Manusc ripts deemed unsuitable (insufficient originality or of limited interest to the target audience) are returned to the author(s) without review. The Editor seeks advice from experts in the appropriate field. Research articles and communications are refereed by a minimum of two reviewers, review papers by at least three. Authors are requested to suggest persons competent to review their manuscript. However, please note that this will be treated only as a suggestion, and the final selection of reviewers is exclusively the Editor's decision. The final decision of acceptance in made by Managing Editor or, in case of conflict, by the Editor-in-Chief.
Scientific Misconduct: This journal publishes only original manuscripts that are not also published or going to be published elsewhere. Multiple submissions/publications, or redundant publications (re-packaging in different words of data already published by the same authors) will be rejected. If they are detected only after publication, the journa l reserves the right to publish a Retraction Note. In each particular case Editors will follow COPE’s Core Practices and implement the advices.
Editor-in-Chief:
Toby Miller, Universidad Autónoma Metropolitana—Cuajimalpa / University of California, Riverside / Murdoch University
Open Access Portfolio Manager
Magdalena Skoneczna, De Gruyter Brill
Journal Coordinator
Michał Kowalczyk, De Gruyter Brill
Assistant Managing Editor
Kumaran Rengaswamy, Compuscript
Editorial Advisory Board:
Deeptha Achar, The Maharaja Sayajirao University of Baroda, India
Ece Algan, California State University, USA
Juan-Antonio Álvarez-Pedrosa, Universidad Complutense de Madrid, Spain
Jesús Arroyave Cabrera, Universidad del Norte, Colombia
Sarah Banet-Weiser, USC Annenberg School for Communication and Journalism, USA
Susan Bassnett, University of Warwick, UK
Chua Beng Huat, National University of Singapore, Singapore
Desmond Cheuk-kuen Hui, The Hang Seng University of Hong Kong, Hong Kong
Miyase Chri stensen, St ockholm University, Sweden
Umberto Curi, Univeristy of Padua, Italy
Simon During, University of Queensland, Australia
Richard Dyer, King’s College London, UK
John Nguyet Erni, Hong Kong Baptist University, Hong Kong
Anthony Y. H. Fung, Chinese University of Hong Kong, Hong Kong
Dilip Gaonkar, Northwestern School of Communiction, USA
Kelly Gates, University of California San Diego, USA
Gretchen Gerzina, University of Massachusetts at Amherst, USA
Marie Gillespie, Open University, UK
Rainer Guldin, Università della Svizzera Italiana, Switzerland
Yang Guorong, East China Normal University, China
Jack Halberstam, Columbia University in the City of New York, USA
Dal Yong Jin, Simon Fraser University, Canada
Baron Kelly, University of Louisville, USA
Thomas Kemple, University of British Columbia, Canada
Roy Krøvel, Oslo and Akershus University College of Applied Sciences, Norway
Thomas Kuehn, Technische Universität Dres den, Germany
Vivian Liska, University of Antwerp, Belgium
Joost van Loon, Katholische Universität Eichstätt-Ingolstadt, Germany
Andrey Makarychev, Johan Skytte Institute of Political Studies, Estonia
Anna Malinowska, University of Silesia, Poland
Ewa Mazierska, University of Central Lancashire, UK
Richard Maxwell, Queens College, City University of New York, USA
David Morley, Goldsmiths University of London, UK
Graham Murdock, Loughborough University, UK
Pramod K. Nayar, University of Hyderabad, India
Nikos Papastergiadis, University of Melbourne, Australia
Jack Linchuan Qiu, Chinese University of Hong Kong, Hong Kong
Riché Richardson, Cornell University, USA
Andrew Ross, New York University, USA
Jyotsna G. Singh, Michigan State University, USA
John Storey, University of Sunderland, UK
Graeme Turner, The Institute for Advanced Studies in the Humanities (IASH), Australia
Aimée Vega Montiel, Universidad Nacional Autónoma de Mé xico, Mexico< br />Massimo Verdicchio, University of Alberta, Canada
David Walton, University of Murcia, Spain
Section Editors:
African Studies
Diego Maria Malara, University of Glasgow, UK
Animal and Plant Studies
Martin Bartelmus, Heinrich-Heine-Universität Düsseldorf, Germany
Arab Literature and Culture
Dallel Sarnou, Abdelhamid Ibn Badis University, Algeria
Architecture and Urban Studies
Cecilia De Marinis, BAU, College of Arts and Design of Barcelona, Spain
Dorotea Ottaviani, University of Sapienza, Italy
Yvette Putra, University of Gloucestershire, UK
Guido Robazza, University of Portsmouth, UK
Critical Race Theory
Amany AlSiefy, Humbold University of Berlin, Germany
Dallel Sarnou, Abdelhamid Ibn Badis University, Algeria
Carolina Borda‑Niño‑Wildman, NHS Scotland, UK
Critical Theory
Nicola Baird, London South Bank University, UK
Cultural History and Memory
Nicola Baird, London South Bank University, UK
Elena Lolli, École Pratique des Hautes Études, PSL, Paris, France
Ann Murray, Ireland
Kamelia Talebian Sedehi, Sapienza University of Rome, Italy
Patricia Vilches, Lawrence University, USA
Carolina Borda‑Niño‑Wildman, NHS Scotland, UK
Cultural Translation
Adrian Izquierdo, The City University of New York, USA
Veronica Del Valle, Maria Curie-Skłodowska University, Poland
Jinyue Wang, University of Queensland / Australian Institute of Interpreters and Translators (AUSIT), Australia
Mengyuan (Lídia) Zhou, The Chinese University of Hong Kong, Hong Kong
Carolina Borda‑Niño‑Wildman, NHS Scotland, UK
Digital Culture
Nicola Baird, London South Bank University, UK
Clara Podlesnigg, Goethe University Frankfurt, Germany
Dallel Sarnou, Abdelhamid Ibn Badis University, Algeria
Drama, Theatre and Performance Studies
Dilek Öztürk Yagci, Trinity College, Dublin, Ireland
Carolina Borda‑Niño‑Wildman, NHS Scotland, UK
Eco-Criticism
Amany AlSiefy, Humbold University of Berlin, Germany
Film and Cinema Studies
Zoe Crombie, Lancaster University, UK
Mark Fryers, Open University, UK
Martin Hall, ST John University, UK
Clara Podlesnigg, Goethe University Frankfurt, Germany
Patricia Vilches, Lawrence University, USA
French Theory
Martin Bartelmus, Heinrich-Heine-Universität Düsseldorf, Germany
Gender Studies
Amany AlSiefy, Humbold University of Berlin, Germany
Carolina Borda‑Niño‑Wildman, NHS Scotland, UK
Literature
Luca Cortesi, University of Pavia, Italy
Olga Fernandez Vincente, University of the Basque Country, Spain
Richard Jorge, University of the Basque Country, Spain
Dilek Öztürk Yagci, Trinity College, Dublin, Ireland
Paolo Pitari, Vrije Universiteit Amsterdam, Netherlands
Kamelia Tale bian Sedehi, Sapienza University of Rome, Italy
Jinyue Wang, University of Queensland / Australian Institute of Interpreters and Translators (AUSIT), Australia
Media Studies
Clara Podlesnigg, Goethe University Fr ankfurt, Germany
Popular Culture
Clara Podlesnigg, Goethe University Frankfurt, Germany
Postcolonial Literature
Amany AlSiefy, Humbold University of Berlin, Germany
Dallel Sarnou, Abdelhamid Ibn Badis University, Algeria
Kamelia Talebian Sedehi, Sapienza University of Rome, Italy
Psychoanalysis
Martin Bartelmus, Heinrich-Heine-Universität Düsseldorf, Germany
Social and Cultural Anthropology
Diego Maria Malara, University of Glasgow, UK
Carolina Borda‑Niño‑Wildman, NHS Scotland, UK
Queer Theory
Corpus Navalón Guzmán,University of Murcia, Spain
Religion
Diego Maria M alara, University of Glasgow, UK
Visual Arts
Nicola Baird, London South Bank University, UK
Ann Murray, Ireland
Visual Culture
Nicola Baird, London South Bank University, UK
Ann Murray, Ireland
Clara Podlesnigg, Goethe University Frankfurt, German
Language Editors:
Michael S. Coffey, College of Southern Maryland, United States of America
Gwynne Fulton, Concordia University, Canada
Luba Stephania Kozak, University of Regina, Canada
Mandi J. Reed, University of Florida, United States of America
Eric W. Ross, George Mason University, United States of America
Publisher
De Gruyter Brill
Nowogrodzka 4 / 3
00-513 Warsaw, Poland
Tel: +48 22 245 33 55
Editorial Contact
Open Access Portfolio Manager
Magdalena Skoneczna
magdalena.skoneczna@degruyterbrill.com
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Zusatzmaterial
- Article Processing Charges
- Author Statements
- CFP Call For Edited Volumes
- CFP Post Truth and Indigenous Environmental Justice in Canada
- CFP_Challenging_Nihilism
- CFP_Cultural_Studies_in_the_Anthropocene_Encounters_with_the_Nonhuman
- CFP_Democracies_in_the_Post_Digital_World
- CFP_Writing_Across_Differences
- Call for Proposals for Topical Issues
- Data Sharing Policy
- Editorial Policy
- Guidelines for Reviewers
- Instruction for Authors
- License to Publish
- Template for Author Statements