Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS vii
3. ACKNOWLEDGMENTS ix
4. PROLOGUE 1
5. PART I. Writing the Crossroads
6. Chapter One. GEORGIA DUSK AND PANAMA GOLD 21
7. Chapter Two. COMPELLING INSINUATION AND THE USES OF ETHNOGRAPHY 62
8. PART II. Performing the Archive
9. Chapter Three. “CUBAN EVENING” 113
10. Chapter Four. REINTERPRETING FOLK CULTURE AT THE “END OF THE WORLD” 153
11. CODA. Toward an Ontological Sovereignty 189
12. NOTES 195
13. BIBLIOGRAPHY 227
14. INDEX 245