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1. Innocence: The Closed Form

© 2020 University of California Press, Berkeley

© 2020 University of California Press, Berkeley

Kapitel in diesem Buch

  1. Frontmatter I
  2. Contents VII
  3. Plates IX
  4. Acknowledgments XIII
  5. Introduction XV
  6. A Note on Methodology XIX
  7. 1. Innocence: The Closed Form 1
  8. 2. Innocence and Experience: Good and Evil Closed Forms 18
  9. 3. Energy: The Open Form 40
  10. 4. Romantic Classicism and Blake's Art, 1773—1795 102
  11. 5. Vaia, or The Four Zoas: Blake's Concept of Form, 1795—1810 165
  12. 6. The Human Form Divine 214
  13. 7. The Human Form Divine in Blake's Late Art 243
  14. 8. Jerusalem 286
  15. Index 337
Blake's Human Form Divine
Ein Kapitel aus dem Buch Blake's Human Form Divine
https://doi.org/10.1525/9780520313293-005

Kapitel in diesem Buch

  1. Frontmatter I
  2. Contents VII
  3. Plates IX
  4. Acknowledgments XIII
  5. Introduction XV
  6. A Note on Methodology XIX
  7. 1. Innocence: The Closed Form 1
  8. 2. Innocence and Experience: Good and Evil Closed Forms 18
  9. 3. Energy: The Open Form 40
  10. 4. Romantic Classicism and Blake's Art, 1773—1795 102
  11. 5. Vaia, or The Four Zoas: Blake's Concept of Form, 1795—1810 165
  12. 6. The Human Form Divine 214
  13. 7. The Human Form Divine in Blake's Late Art 243
  14. 8. Jerusalem 286
  15. Index 337
Heruntergeladen am 5.5.2026 von https://www.degruyterbrill.com/document/doi/10.1525/9780520313293-005/html?lang=de
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