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14. The Exorbitant. Question of Method
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Preface ix
- Introduction: Reconstructing the Author xv
-
Part 1: The Aesthetic and Textual Debate
-
Section 1: Changing Conceptions of Authorship
- 1. Plato from Ion 13
- 2. Plato from The Republic 19
- 3. 'The Significance of the Medieval Theory of Authorship 23
- 4. from An Apology for Poetry 31
- 5. 'Conjectures on Original Composition 37
- 6. from 'A Defence of Poetry' 43
- 7. from 'Crisis in Verse' 51
- 8. 'Creative Writers and Day-Dreaming 54
-
Section 2: The Twentieth-century Controversy
- 9. Tradition and the Individual Talent' 73
- 10. 'Literature and Biography' 81
- 11. 'The Intentional Fallacy' 90
- 12. 'Criticism and the Experience of Interiority 101
- 13. Validity in Interpretation 108
- 14. The Exorbitant. Question of Method 117
- 15. The Death of the Author 125
- 16. A Meditation upon Priority, and a Synopsis 131
-
Part 2: The Politics of Authorship
-
Section 1: Feminism and the Authorial Subject
- 17. The Madwoman in the Attic 151
- 18. Castration or Decapitation?' 162
- 19. 'Feminist Tracks' 178
- 20. Changing the Subject: Authorship, Writing and the Reader' 193
-
Section 2: Ideologies and Authorship
- 21. Writing For One's Age' 223
- 22. 'Creation and Production 230
- 23. What Is an Author?' 233
- 24. What Was an Author?' 247
- 25. Author' 263
- 26. Postcolonialism and the Author: The Case of Salman Rushdie 277
- 27. The Ethics of Signature' 285
- 28. Taking Philosophy Seriously' 292
-
Part 3: Writing the Self
- 29. Essays 309
- 30. Second Meditation 312
- 31. Why I Am a Destiny 320
- 32. Pierre Menard, Author of the Quixote'; 'Kafka and His Precursors'; 'Everything and Nothing'; 'Borges and I' 328
- Index 340
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Preface ix
- Introduction: Reconstructing the Author xv
-
Part 1: The Aesthetic and Textual Debate
-
Section 1: Changing Conceptions of Authorship
- 1. Plato from Ion 13
- 2. Plato from The Republic 19
- 3. 'The Significance of the Medieval Theory of Authorship 23
- 4. from An Apology for Poetry 31
- 5. 'Conjectures on Original Composition 37
- 6. from 'A Defence of Poetry' 43
- 7. from 'Crisis in Verse' 51
- 8. 'Creative Writers and Day-Dreaming 54
-
Section 2: The Twentieth-century Controversy
- 9. Tradition and the Individual Talent' 73
- 10. 'Literature and Biography' 81
- 11. 'The Intentional Fallacy' 90
- 12. 'Criticism and the Experience of Interiority 101
- 13. Validity in Interpretation 108
- 14. The Exorbitant. Question of Method 117
- 15. The Death of the Author 125
- 16. A Meditation upon Priority, and a Synopsis 131
-
Part 2: The Politics of Authorship
-
Section 1: Feminism and the Authorial Subject
- 17. The Madwoman in the Attic 151
- 18. Castration or Decapitation?' 162
- 19. 'Feminist Tracks' 178
- 20. Changing the Subject: Authorship, Writing and the Reader' 193
-
Section 2: Ideologies and Authorship
- 21. Writing For One's Age' 223
- 22. 'Creation and Production 230
- 23. What Is an Author?' 233
- 24. What Was an Author?' 247
- 25. Author' 263
- 26. Postcolonialism and the Author: The Case of Salman Rushdie 277
- 27. The Ethics of Signature' 285
- 28. Taking Philosophy Seriously' 292
-
Part 3: Writing the Self
- 29. Essays 309
- 30. Second Meditation 312
- 31. Why I Am a Destiny 320
- 32. Pierre Menard, Author of the Quixote'; 'Kafka and His Precursors'; 'Everything and Nothing'; 'Borges and I' 328
- Index 340