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1. Portraiture as Place in Julia Peterkin and Doris Ulmann’s Roll, Jordan, Roll (1933)
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgments xi
- Introduction: The American Photo-Text 1
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PART I: THE 1930s
- 1. Portraiture as Place in Julia Peterkin and Doris Ulmann’s Roll, Jordan, Roll (1933) 19
- 2. Articulating the Depression in Dorothea Lange and Paul Taylor’s American Exodus (1939) and Margaret Bourke-White and Erskine Caldwell’s You Have Seen Their Faces (1937) 43
- 3. Establishing a Photographic Vernacular in Walker Evans’s American Photographs (1938) 66
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PART II: THE 1940s
- 4. Modernism as Documentary Practice in James Agee and Walker Evans’s Let Us Now Praise Famous Men (1941) 89
- 5. A Post-War Pastoral in Wright Morris’s The Inhabitants (1946) and The Home Place (1948) 107
- 6. Hardboiled Captions and Flashgun Aesthetics in Weegee’s Naked City (1945) 132
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PART III: THE 1950s
- 7. Ideology, History and Democracy in Paul Strand and Nancy Newhall’s Time in New England (1950) 157
- 8. Visions of Harlem in Langston Hughes and Ray DeCarava’s The Sweet Flypaper of Life (1955) 182
- 9. Beat Poetics in The Americans (1959) 205
- Conclusion 227
- Bibliography 235
- Index 243
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgments xi
- Introduction: The American Photo-Text 1
-
PART I: THE 1930s
- 1. Portraiture as Place in Julia Peterkin and Doris Ulmann’s Roll, Jordan, Roll (1933) 19
- 2. Articulating the Depression in Dorothea Lange and Paul Taylor’s American Exodus (1939) and Margaret Bourke-White and Erskine Caldwell’s You Have Seen Their Faces (1937) 43
- 3. Establishing a Photographic Vernacular in Walker Evans’s American Photographs (1938) 66
-
PART II: THE 1940s
- 4. Modernism as Documentary Practice in James Agee and Walker Evans’s Let Us Now Praise Famous Men (1941) 89
- 5. A Post-War Pastoral in Wright Morris’s The Inhabitants (1946) and The Home Place (1948) 107
- 6. Hardboiled Captions and Flashgun Aesthetics in Weegee’s Naked City (1945) 132
-
PART III: THE 1950s
- 7. Ideology, History and Democracy in Paul Strand and Nancy Newhall’s Time in New England (1950) 157
- 8. Visions of Harlem in Langston Hughes and Ray DeCarava’s The Sweet Flypaper of Life (1955) 182
- 9. Beat Poetics in The Americans (1959) 205
- Conclusion 227
- Bibliography 235
- Index 243