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Kapitel in diesem Buch
- Frontmatter i
- Contents iii
- Acknowledgments iv
- List of Figures vi
- Introduction: Seduction, Resistance, and Redemption: “Turning Turk” and the Embodiment of Christian Faith 1
- 1 Dangerous Fellowship: Universal Faith and its Bodily Limits in The Comedy of Errors and Othello 32
- 2 Recycled Models: Catholic Martyrdom and Embodied Resistance to Conversion in The Virgin Martyr and Other Red Bull Plays 73
- 3 Engendering Faith: Sexual Defilement and Spiritual Redemption in The Renegado 121
- 4 “Reforming” the Knights of Malta: Male Chastity and Temperance in Five Early Modern Plays 152
- 5 Epilogue: Turning Miscegenation into Tragicomedy (Or Not): Robert Greene’s Orlando Furioso 208
- Notes 223
- Index 259
Kapitel in diesem Buch
- Frontmatter i
- Contents iii
- Acknowledgments iv
- List of Figures vi
- Introduction: Seduction, Resistance, and Redemption: “Turning Turk” and the Embodiment of Christian Faith 1
- 1 Dangerous Fellowship: Universal Faith and its Bodily Limits in The Comedy of Errors and Othello 32
- 2 Recycled Models: Catholic Martyrdom and Embodied Resistance to Conversion in The Virgin Martyr and Other Red Bull Plays 73
- 3 Engendering Faith: Sexual Defilement and Spiritual Redemption in The Renegado 121
- 4 “Reforming” the Knights of Malta: Male Chastity and Temperance in Five Early Modern Plays 152
- 5 Epilogue: Turning Miscegenation into Tragicomedy (Or Not): Robert Greene’s Orlando Furioso 208
- Notes 223
- Index 259