I. Introduction

Brents Stirling

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I. Introduction

Brents Stirling

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This chapter is in the book Unity in Shakespearian Tragedy

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Stirling, Brents. "I. Introduction". Unity in Shakespearian Tragedy: The Interplay of Theme and Character, New York Chichester, West Sussex: Columbia University Press, 1956, pp. 1-9. https://doi.org/10.7312/stir94510-002

Stirling, B. (1956). I. Introduction. In Unity in Shakespearian Tragedy: The Interplay of Theme and Character (pp. 1-9). New York Chichester, West Sussex: Columbia University Press. https://doi.org/10.7312/stir94510-002

Stirling, B. 1956. I. Introduction. Unity in Shakespearian Tragedy: The Interplay of Theme and Character. New York Chichester, West Sussex: Columbia University Press, pp. 1-9. https://doi.org/10.7312/stir94510-002

Stirling, Brents. "I. Introduction" In Unity in Shakespearian Tragedy: The Interplay of Theme and Character, 1-9. New York Chichester, West Sussex: Columbia University Press, 1956. https://doi.org/10.7312/stir94510-002

Stirling B. I. Introduction. In: Unity in Shakespearian Tragedy: The Interplay of Theme and Character. New York Chichester, West Sussex: Columbia University Press; 1956. p.1-9. https://doi.org/10.7312/stir94510-002

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Chapters in this book

Frontmatter III
Acknowledgments VII
Contents IX
I. Introduction 1
II. “They stumble that run fast” 10
III. “Up, cousin, up; your heart is up, I know” 26
IV. “Or else were this a savage spectacle” 40
V. “Give me that man that is not passion’s slave” 55
VI. “Though you can fret me, you cannot play upon me” 75
VII. “To put an antic disposition on” 86
VIII. “Reputation, reputation, reputation!” 111
IX. “Look, how our partners rapt” 139
X. “The nobleness of life” 157
XI. Some conclusions 193
Index 207

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https://doi.org/10.7312/stir94510-002

Chapters in this book

Frontmatter III
Acknowledgments VII
Contents IX
I. Introduction 1
II. “They stumble that run fast” 10
III. “Up, cousin, up; your heart is up, I know” 26
IV. “Or else were this a savage spectacle” 40
V. “Give me that man that is not passion’s slave” 55
VI. “Though you can fret me, you cannot play upon me” 75
VII. “To put an antic disposition on” 86
VIII. “Reputation, reputation, reputation!” 111
IX. “Look, how our partners rapt” 139
X. “The nobleness of life” 157
XI. Some conclusions 193
Index 207

I. Introduction

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