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Writing for Hire
Unions, Hollywood, and Madison Avenue
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Catherine L. Fisk
Language:
English
Published/Copyright:
2016
About this book
Professional writers may earn a tidy living for their work, but they seldom own their writing. Catherine Fisk traces the history of labor relations that defined authorship in film, TV, and advertising in the mid-twentieth century, showing why strikingly different norms of attribution emerged in these overlapping industries.
Reviews
This is an incisive work of scholarship and historical reconstruction that not only captures the dilemma of authorship in corporatized film, TV, and advertising but also demonstrates the central importance of good old-fashioned trade unionism in defending the creativity, status, and income of even the most renowned writers. For any ‘knowledge worker’ vexed about his or her place in the gig economy, Catherine Fisk’s eye-opening book is essential reading.
-- Nelson Lichtenstein, author of A Contest of Ideas: Capital, Politics, and Labor
-- Nelson Lichtenstein, author of A Contest of Ideas: Capital, Politics, and Labor
Drawing on previously unexplored archival sources, Catherine Fisk has produced a rich and rewarding comparison of two parallel cultures of professional writers doing similar work in different industries. Fisk’s book combines a captivating narrative with insightful legal, economic, and social analysis of how writers, movie studios, and advertising agencies grappled with issues of attribution in the formative decades of radio, film, and television.
-- R. Anthony Reese, University of California, Irvine School of Law
-- R. Anthony Reese, University of California, Irvine School of Law
Opening the archives of firms, guilds, and corporations, Catherine Fisk uncovers the stories of dozens of writer-employees and the rapidly changing parameters of their work. Madison Avenue and Hollywood appear as we’ve never seen them before—as twin sectors of the work-for-hire economy separated at birth by divergent practices of attribution, recognition, and unionization. Writing for Hire makes labor history an indispensable means of understanding copyright in the twentieth century and beyond.
-- Paul K. Saint-Amour, author of Tense Future: Modernism, Total War, Encyclopedic Form
-- Paul K. Saint-Amour, author of Tense Future: Modernism, Total War, Encyclopedic Form
Catherine Fisk has written an immensely readable historical study of the legal and social significance of creative authorship in the American entertainment and advertising industries. Writing for Hire provides clarity and insight on questions of authorship, intellectual property, and unionization—all of which are essential concerns for anyone working in or studying the creative industries today.
-- Miranda Banks, author of The Writers: A History of American Screenwriters and Their Guild
-- Miranda Banks, author of The Writers: A History of American Screenwriters and Their Guild
An illuminating work for everyone interested in histories of ‘the author,’ of intellectual property, of unionization, and of Hollywood. Fisk tells a largely unknown story of labor success. And along the way, she uses her imaginative and extensive research to offer something close to an ethnography of contracting behavior and the cultural underpinnings of contracting in twentieth-century America.
-- Hendrik Hartog, Princeton University
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Act I: Beginnings
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Act II. Intersections
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Act III. Denouement
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
October 17, 2016
eBook ISBN:
9780674973183
Pages and Images/Illustrations in book
Main content:
296
