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Index Across

  • Robert Casillo and John Paul Russo
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The Italian in Modernity
This chapter is in the book The Italian in Modernity
© 2016 University of Toronto Press, Toronto

© 2016 University of Toronto Press, Toronto

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Preface vii
  4. 1. Stendhal and Italy 1
  5. 2. The Unbroken Charm: New Englanders in Italy 182
  6. 3. Isle of the Dead 251
  7. 4. From Italophilia to Italophobia: Italian Americans in the Gilded Age 329
  8. 5. Puccini’s American Theme 361
  9. 6. ‘To Die Is Not Enough!’: Hemingway and D’Annunzio 393
  10. 7. The Hidden Godfather: Plenitude and Absence in Coppola’s Trilogy 434
  11. 8. The Representation of Italian Americans in American Cinema: From the Silent Film to The Godfather 493
  12. Notes 641
  13. Index Across 841
https://doi.org/10.3138/9781442687073-011

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Preface vii
  4. 1. Stendhal and Italy 1
  5. 2. The Unbroken Charm: New Englanders in Italy 182
  6. 3. Isle of the Dead 251
  7. 4. From Italophilia to Italophobia: Italian Americans in the Gilded Age 329
  8. 5. Puccini’s American Theme 361
  9. 6. ‘To Die Is Not Enough!’: Hemingway and D’Annunzio 393
  10. 7. The Hidden Godfather: Plenitude and Absence in Coppola’s Trilogy 434
  11. 8. The Representation of Italian Americans in American Cinema: From the Silent Film to The Godfather 493
  12. Notes 641
  13. Index Across 841
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