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Gender, Narrative, and Dissonance in the Modern Italian Novel
This chapter is in the book Gender, Narrative, and Dissonance in the Modern Italian Novel
© 2015 University of Toronto Press, Toronto

© 2015 University of Toronto Press, Toronto

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments vii
  4. Introduction 1
  5. 1. “A Somewhat Unusual Nun”: Writing Gender in I promessi sposi 28
  6. 2. The Epistemology of the Young Woman: Analysis and Revelation in Three Fin-de-siècle Novels 56
  7. 3. The Mule and the Ghost: Gender, Realism, and the Fantastic in Giovanni Verga and Marchesa Colombi 90
  8. 4. Intellectual Experiments: The Philosopher and the Housewife 113
  9. 5. A Poetics of Rejection: Elsa Morante and the Gender of the Real 145
  10. Conclusion 175
  11. Notes 183
  12. Works Cited 213
  13. Index 229
https://doi.org/10.3138/9781442619753-001

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments vii
  4. Introduction 1
  5. 1. “A Somewhat Unusual Nun”: Writing Gender in I promessi sposi 28
  6. 2. The Epistemology of the Young Woman: Analysis and Revelation in Three Fin-de-siècle Novels 56
  7. 3. The Mule and the Ghost: Gender, Realism, and the Fantastic in Giovanni Verga and Marchesa Colombi 90
  8. 4. Intellectual Experiments: The Philosopher and the Housewife 113
  9. 5. A Poetics of Rejection: Elsa Morante and the Gender of the Real 145
  10. Conclusion 175
  11. Notes 183
  12. Works Cited 213
  13. Index 229
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