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Semantic architecture and the interpretation of prehistoric rock art: An ethno-(pre-)historical approach
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NOLD EGENTER
Published/Copyright:
October 2, 2009
Published Online: 2009-10-02
Published in Print: 1994
Walter de Gruyter
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Articles in the same Issue
- Titelei
- Sonstiges
- Introduction: A challenge for semiotics
- Max Raphael (1889–1952): A pioneer of the semiotic approach to palaeoiithic art
- Archetypes, constants, and universal paradigms in prehistoric art
- On the scientific study of palaeoart
- Facts or fantasy? The rock paintings of the Brandberg, Namibia, and a concept of textualization for purposes of data processing
- Semantic architecture and the interpretation of prehistoric rock art: An ethno-(pre-)historical approach
- Prolegomena to the semiotic analysis of prehistoric visual displays
- Syntax and geometrism in prehistoric art
- Art or script? A falsifiable semiotic hypothesis
- Blueprints for a visual database of petroglyphs
- Understanding prehistoric images in the post-historic age: A cognitive project
- Petroglyphs in and out of perspective
- Contents/Sommaire Volume 100 (1994)
Articles in the same Issue
- Titelei
- Sonstiges
- Introduction: A challenge for semiotics
- Max Raphael (1889–1952): A pioneer of the semiotic approach to palaeoiithic art
- Archetypes, constants, and universal paradigms in prehistoric art
- On the scientific study of palaeoart
- Facts or fantasy? The rock paintings of the Brandberg, Namibia, and a concept of textualization for purposes of data processing
- Semantic architecture and the interpretation of prehistoric rock art: An ethno-(pre-)historical approach
- Prolegomena to the semiotic analysis of prehistoric visual displays
- Syntax and geometrism in prehistoric art
- Art or script? A falsifiable semiotic hypothesis
- Blueprints for a visual database of petroglyphs
- Understanding prehistoric images in the post-historic age: A cognitive project
- Petroglyphs in and out of perspective
- Contents/Sommaire Volume 100 (1994)
