Rank Badges of Official Costumes of Ming and Qing Dynasties from the Perspective of Social Semiotics

Yichen Zhu

doi:10.1515/lass-2021-070204

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Rank Badges of Official Costumes of Ming and Qing Dynasties from the Perspective of Social Semiotics

Yichen Zhu

Published/Copyright: April 20, 2023

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From the journal Language and Semiotic Studies Volume 7 Issue 2

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MLA
APA
Harvard
Chicago
Vancouver

Zhu, Yichen. "Rank Badges of Official Costumes of Ming and Qing Dynasties from the Perspective of Social Semiotics" Language and Semiotic Studies, vol. 7, no. 2, 2021, pp. 121-143. https://doi.org/10.1515/lass-2021-070204

Zhu, Y. (2021). Rank Badges of Official Costumes of Ming and Qing Dynasties from the Perspective of Social Semiotics. Language and Semiotic Studies, 7(2), 121-143. https://doi.org/10.1515/lass-2021-070204

Zhu, Y. (2021) Rank Badges of Official Costumes of Ming and Qing Dynasties from the Perspective of Social Semiotics. Language and Semiotic Studies, Vol. 7 (Issue 2), pp. 121-143. https://doi.org/10.1515/lass-2021-070204

Zhu, Yichen. "Rank Badges of Official Costumes of Ming and Qing Dynasties from the Perspective of Social Semiotics" Language and Semiotic Studies 7, no. 2 (2021): 121-143. https://doi.org/10.1515/lass-2021-070204

Zhu Y. Rank Badges of Official Costumes of Ming and Qing Dynasties from the Perspective of Social Semiotics. Language and Semiotic Studies. 2021;7(2): 121-143. https://doi.org/10.1515/lass-2021-070204

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Published Online: 2023-04-20

Published in Print: 2021-06-01

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Frontmatter
Semiotics in Language, Literature and Society
The Representation of Semiotic Structures in Language
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Investigating Desiderius Erasmus’ Copia and Its Semiotic Meaning: A Case Study of Angela Carter’s Nights at the Circus
Rank Badges of Official Costumes of Ming and Qing Dynasties from the Perspective of Social Semiotics

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https://doi.org/10.1515/lass-2021-070204

Articles in the same Issue

Frontmatter
Semiotics in Language, Literature and Society
The Representation of Semiotic Structures in Language
Lacanian Interpretation of Dorian Gray’s Self-Identifying under the Influence of Others
Investigating Desiderius Erasmus’ Copia and Its Semiotic Meaning: A Case Study of Angela Carter’s Nights at the Circus
Rank Badges of Official Costumes of Ming and Qing Dynasties from the Perspective of Social Semiotics