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Kopenhagen als Nicht-Ort

Zu Emil Bønnelyckes Asfaltens Sange
  • Jan T. Schlosser EMAIL logo
Published/Copyright: October 15, 2020
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Abstract

For the first time Emil Bønnelycke’s Asfaltens Sange (1918) is examined in the context of Marc Augé’s theory of places and non-places in this paper. The analysis of Asfaltens Sange focuses on the implicit presence of places and non-places. Reading Bønnelycke in content of Augé opens up for a new research position; it elucidates his position to ‘supermodernity’. Places and non-places are palimpsests in Bønnelycke’s text about Copenhagen’s urbanity. The main subject in Asfaltens Sange is the walk in Copenhagen. The big city is considered a space of formation that should be ‘read’ to disclose its anthropological status.


Dedicated to the memory of Klaus Bohnen.


Literatur

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Published Online: 2020-10-15
Published in Print: 2020-10-25

© 2020 Walter de Gruyter GmbH, Berlin/Boston

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