Chapter
Open Access
Introduction
-
Jean-Louis Comolli
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Preface 7
- Introduction 17
-
Cinema against Spectacle
- Introduction 49
- Cinema against Spectacle 55
- I. Opening the Window? 57
- II. Inventing the Cinema? 87
- III. Filming the Disaster? 99
- IV. Cutting the Figure? 115
- V. Changing the Spectator? 131
-
Technique and Ideology: Camera, Perspective, Depth of Field
- Introduction 143
- I. On a Dual Origin 147
- II. Depth of Field: The Double Scene 171
- III. “Primitive” Depth of Field 209
- IV. Effacement of Depth/Advent of Speech 223
- V. Which Speech? 237
- Appendix I: Cinema/Ideology/Criticism 247
- Appendix II: Machines of the Visible 281
- Glossary of Terms 291
- Publication History 301
- Filmography 305
- Bibliography 311
- Translator’s Notes 331
- Index 343
- Film Theory in Media History 347
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Preface 7
- Introduction 17
-
Cinema against Spectacle
- Introduction 49
- Cinema against Spectacle 55
- I. Opening the Window? 57
- II. Inventing the Cinema? 87
- III. Filming the Disaster? 99
- IV. Cutting the Figure? 115
- V. Changing the Spectator? 131
-
Technique and Ideology: Camera, Perspective, Depth of Field
- Introduction 143
- I. On a Dual Origin 147
- II. Depth of Field: The Double Scene 171
- III. “Primitive” Depth of Field 209
- IV. Effacement of Depth/Advent of Speech 223
- V. Which Speech? 237
- Appendix I: Cinema/Ideology/Criticism 247
- Appendix II: Machines of the Visible 281
- Glossary of Terms 291
- Publication History 301
- Filmography 305
- Bibliography 311
- Translator’s Notes 331
- Index 343
- Film Theory in Media History 347