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Witnessing, Memory, Poetics
This chapter is in the book Witnessing, Memory, Poetics
© 2014, Boydell and Brewer

© 2014, Boydell and Brewer

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments vii
  4. Abbreviations ix
  5. Introduction: The Adler-Sebald Intertextual Relationship as Paradigm for Intergenerational Literary Testimony 1
  6. Part I. Intertexts in Context
  7. 1: Opening Address: The Connections between H. G. Adler and W. G. Sebald, from a Personal Perspective 25
  8. 2: Memory’s Witness—Witnessing Memory 29
  9. 3: Writing the Medusa: A Documentation of H. G. Adler and Theresienstadt in W. G. Sebald’s Library 55
  10. Part II. Witnessing Trauma and the Poetics of Witnessing
  11. 4: Bearing Witness: The Poetics of H. G. Adler and W. G. Sebald 81
  12. 5: “Schmerzensspuren der Geschichte(n)”: Memory and Intertextuality in H. G. Adler and W. G. Sebald 112
  13. 6: “Der Autor zwischen Literatur und Politik”: H. G. Adler’s “Engagement” and W. G. Sebald’s “Restitution” 137
  14. Part III. Memory, Memorialization and the Re-Presentation of History
  15. 7: Memory, Witness, and the (Holocaust) Museum in H. G. Adler and W. G. Sebald 159
  16. 8: History, Emotions, Literature: The Representation of Theresienstadt in H. G. Adler’s Theresienstadt 1941–1945: Das Antlitz einer Zwangsgemeinschaft and W. G. Sebald’s Austerlitz 180
  17. 9: The Kafkaesque in H. G. Adler’s and W. G. Sebald’s Literary Historiographies 201
  18. 10: Generational Conflicts, Generational Affinities: Broch, Adorno, Adler, Sebald 232
  19. 11: “Der verwerfliche Literaturbetrieb unserer Epoche”: H. G. Adler and the Postwar West German “Literary Field” 254
  20. Afterword 275
  21. Bibliography 277
  22. Contributors 297
  23. Index 301
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