12. The Gold and Ivory Cult Statues of Pheidias in Athens and Olympia

Chapters in this book

1. Frontmatter I
2. Preface V
3. Contents VII
4. 1. Introduction 1
5. Part I: Literary and Epigraphical Testimonia
6. 2. Greek Sculpture in the Roman Empire: The Literary Sources 7
7. 3. Sculptors’ Signatures 22
8. 4. Patronage, Compensation, and the Social Status of Sculptors 50
9. Part II: Function
10. 5. Architectural Sculpture 91
11. 6. Funerary Sculpture: Women on Attic Grave Reliefs 123
12. Part III: Portraiture
13. 7. Honorific Portraiture 163
14. 8. The Portraits of the Ptolemies 194
15. 9. The Portraits of Herodes Atticus and His Circle 225
16. Part IV: Styles
17. 10. The Archaic Style in Greek Sculpture 261
18. 11. The Invention of the Classical Style in Sculpture 296
19. 12. The Gold and Ivory Cult Statues of Pheidias in Athens and Olympia 328
20. 13. The Great Masters of the Fourth Century 360
21. 14. The Hellenistic Styles in Greek Sculpture 395
22. Part V: Regional Sculptures
23. 15. Prolegomena to the Study of Sculpture in Sicily in the Archaic and Classical Periods 429
24. 16. The Sculpture of Melos 473
25. 17. The Sculpture of Macedonia 503
26. 18. The Sculpture of Messene 536
27. Part VI: Greek Sculpture under the Romans
28. 19. Greek Sculptors in Rome: An Art for the Romans 579
29. 20. Copies of Greek Statuary from Greece in the Roman Imperial Period 620
30. Part VII: Techniques
31. 21. Piecing, Attachments, Repairs 657
32. 22. Polychromy in Greek Sculpture 690
33. Part VIII: Afterlife
34. 23. The Legacy of Greek Sculpture 727
35. Contributors 768
36. Index of Museums 770
37. Index of Artists 787