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III. Occupation And “Greater Asian” Modernity 175 “No More Musicians, No More Writers”

  • Matthew Isaac Cohen
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Inventing the Performing Arts
This chapter is in the book Inventing the Performing Arts
© University of Hawaii Press, Honolulu

© University of Hawaii Press, Honolulu

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. A Note On Orthography And Language Use vii
  4. Acknowledgments ix
  5. Introduction xiii
  6. I. Common Ground For Arts And Popular Entertainments 1 “Every Night There Are Entertainments” 1
  7. II. The Maelstrom Of Modernity 61 “Protecting And Ennobling Our Family Pusaka” 61
  8. III. Occupation And “Greater Asian” Modernity 175 “No More Musicians, No More Writers” 175
  9. Conclusion. Performing Arts After Colonialism 234
  10. Notes 255
  11. Glossary 279
  12. References 287
  13. Index 319
  14. About The Author 329
https://doi.org/10.1515/9780824855598-006

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. A Note On Orthography And Language Use vii
  4. Acknowledgments ix
  5. Introduction xiii
  6. I. Common Ground For Arts And Popular Entertainments 1 “Every Night There Are Entertainments” 1
  7. II. The Maelstrom Of Modernity 61 “Protecting And Ennobling Our Family Pusaka” 61
  8. III. Occupation And “Greater Asian” Modernity 175 “No More Musicians, No More Writers” 175
  9. Conclusion. Performing Arts After Colonialism 234
  10. Notes 255
  11. Glossary 279
  12. References 287
  13. Index 319
  14. About The Author 329
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