Chapter 7. Returning to Milton’s Hell with Weapons of Perfect Passivity in Sutton E. Griggs’s Imperium in Imperio

Reginald A. Wilburn

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Chapter 7. Returning to Milton’s Hell with Weapons of Perfect Passivity in Sutton E. Griggs’s Imperium in Imperio

Reginald A. Wilburn

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This chapter is in the book Preaching the Gospel of Black Revolt

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Wilburn, Reginald A.. "Chapter 7. Returning to Milton’s Hell with Weapons of Perfect Passivity in Sutton E. Griggs’s Imperium in Imperio". Preaching the Gospel of Black Revolt: Appropriating Milton in Early African American Literature, University Park, USA: Penn State University Press, 2014, pp. 279-326. https://doi.org/10.1515/9780820705972-008

Wilburn, R. (2014). Chapter 7. Returning to Milton’s Hell with Weapons of Perfect Passivity in Sutton E. Griggs’s Imperium in Imperio. In Preaching the Gospel of Black Revolt: Appropriating Milton in Early African American Literature (pp. 279-326). University Park, USA: Penn State University Press. https://doi.org/10.1515/9780820705972-008

Wilburn, R. 2014. Chapter 7. Returning to Milton’s Hell with Weapons of Perfect Passivity in Sutton E. Griggs’s Imperium in Imperio. Preaching the Gospel of Black Revolt: Appropriating Milton in Early African American Literature. University Park, USA: Penn State University Press, pp. 279-326. https://doi.org/10.1515/9780820705972-008

Wilburn, Reginald A.. "Chapter 7. Returning to Milton’s Hell with Weapons of Perfect Passivity in Sutton E. Griggs’s Imperium in Imperio" In Preaching the Gospel of Black Revolt: Appropriating Milton in Early African American Literature, 279-326. University Park, USA: Penn State University Press, 2014. https://doi.org/10.1515/9780820705972-008

Wilburn R. Chapter 7. Returning to Milton’s Hell with Weapons of Perfect Passivity in Sutton E. Griggs’s Imperium in Imperio. In: Preaching the Gospel of Black Revolt: Appropriating Milton in Early African American Literature. University Park, USA: Penn State University Press; 2014. p.279-326. https://doi.org/10.1515/9780820705972-008

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Chapters in this book

Frontmatter i
Contents vii
Acknowledgments ix
Chapter 1. Making “Darkness Visible” 1
Chapter 2. Phillis Wheatley’s Miltonic Journeys in Poems on Various Subjects 57
Chapter 3. Black Audio-Visionaries and the Rise of Miltonic Influence in Colonial America and the Early Republic 95
Chapter 4. Of Might and Men 149
Chapter 5. Breaking New Grounds with Milton in Frances Ellen Watkins Harper’s Moses: A Story of the Nile 189
Chapter 6. Miltonic Soundscapes in Anna Julia Cooper’s A Voice from the South 229
Chapter 7. Returning to Milton’s Hell with Weapons of Perfect Passivity in Sutton E. Griggs’s Imperium in Imperio 279
Epilogue 327
Notes 335
Bibliography 361
Index 379

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https://doi.org/10.1515/9780820705972-008

Chapters in this book

Frontmatter i
Contents vii
Acknowledgments ix
Chapter 1. Making “Darkness Visible” 1
Chapter 2. Phillis Wheatley’s Miltonic Journeys in Poems on Various Subjects 57
Chapter 3. Black Audio-Visionaries and the Rise of Miltonic Influence in Colonial America and the Early Republic 95
Chapter 4. Of Might and Men 149
Chapter 5. Breaking New Grounds with Milton in Frances Ellen Watkins Harper’s Moses: A Story of the Nile 189
Chapter 6. Miltonic Soundscapes in Anna Julia Cooper’s A Voice from the South 229
Chapter 7. Returning to Milton’s Hell with Weapons of Perfect Passivity in Sutton E. Griggs’s Imperium in Imperio 279
Epilogue 327
Notes 335
Bibliography 361
Index 379

Chapter 7. Returning to Milton’s Hell with Weapons of Perfect Passivity in Sutton E. Griggs’s Imperium in Imperio

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Chapters in this book

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