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14 The Immanation-Image: Immanent Experience and Kazakhstan's Socialist and Postsocialist Modernity in Almagul Menlibayeva's Video Installation Transformation (2016)

  • Livia Monnet
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Toxic Immanence
This chapter is in the book Toxic Immanence
© McGill-Queen's University Press

© McGill-Queen's University Press

Chapters in this book

  1. Front Matter i
  2. Contents v
  3. Table and Figures ix
  4. The Atomic Now xv
  5. Acknowledgments xix
  6. Toxic Immanence: Toward Decolonizing Pedagogies of the Nuclear 3
  7. Aftereffects of Chernobyl and Fukushima
  8. “The Future Is Behind Them!”: Post-Apocalypse and the Enduring Nuclear in Post-Soviet Russian Fiction 39
  9. From Toxic Lands to Toxic Rumours: Nuclear Accidents, Contaminated Territories, and the Production of (Radio)active Ignorance 59
  10. The Fukushima Process 78
  11. Fukushima and the Rebuild of Godzilla: Multiplying Media in an Era of Multiplying Disaster 94
  12. Repeating, Multiplying: The Ongoing Now of Nuclear Aftereffects 127
  13. The Cold War and Post–Cold War Nuclear State and Its Geopolitics: Imaginaries and Contestations
  14. Shaking, Trembling, Rattling, Shouting: Seismic Politics in the Nuclear Age 139
  15. What Is the Matter with Nuclear Weapons Communication? 151
  16. The National Toxic Land/ Labor Conservation Service 175
  17. Sounding Out the Nuclear: An Atomic Opera 197
  18. Poetry and Anti-Nuclearism: Τεχνη and the “Fundamental Project” 214
  19. Fears and the (Nuclear) Apocalypse: Who Is Afraid of What? 231
  20. Archaeologies and Heritages
  21. Emergency/Salvage Archaeology: Excavating Media and Uranium in the Glen Canyon 237
  22. Nuclear Waste as Critical Heritage 262
  23. Lingering Radiation: On Violent Pasts and Open-Ended Futures 282
  24. Nuclear Aesthetics: Contemporary Art, Nuclear Colonialism, and the Transformation of Life and the Environment
  25. Atomic Aborigines: Appropriation and Colonization of Indigenous Australia during British Nuclear Testing 291
  26. The Antipodean Stance of Pam Debenham's 1980s Screenprints 309
  27. The Immanation-Image: Immanent Experience and Kazakhstan's Socialist and Postsocialist Modernity in Almagul Menlibayeva's Video Installation Transformation (2016) 332
  28. The Possibility of a Situated Nuclear Knowledge: Art in Contaminated Sites 373
  29. Artists' Contributions
  30. Inheritance: Radiant Reflections from Hiroshima, Nagasaki, and Fukushima 383
  31. Nuclear Family: A Poem 424
  32. Unmaking the Nuclear Future 429
  33. Contributors 433
  34. Index 443
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