Utah State University Press
Composition, Rhetoric, and Disciplinarity
-
Herausgegeben von:
, , und
Über dieses Buch
Edited by four nationally recognized leaders of composition scholarship, Composition, Rhetoric, and Disciplinarity asks a fundamental question: can Composition and Rhetoric, as a discipline, continue its historical commitment to pedagogy without sacrificing equal attention to other areas, such as research and theory? In response, contributors to the volume address disagreements about what it means to be called a discipline rather than a profession or a field; elucidate tensions over the defined breadth of Composition and Rhetoric; and consider the roles of research and responsibility as Composition and Rhetoric shifts from field to discipline.
Outlining a field with a complex and unusual formation story, Composition, Rhetoric, and Disciplinarity employs several lenses for understanding disciplinarity—theory, history, labor, and pedagogy—and for teasing out the implications of disciplinarity for students, faculty, institutions, and Composition and Rhetoric itself. Collectively, the chapters speak to the intellectual and embodied history leading to this point; to questions about how disciplinarity is, and might be, understood, especially with regard to Composition and Rhetoric; to the curricular, conceptual, labor, and other sites of tension inherent in thinking about Composition and Rhetoric as a discipline; and to the implications of Composition and Rhetoric’s disciplinarity for the future.
Contributors: Linda Adler-Kassner, Elizabeth H. Boquet, Christiane Donahue, Whitney Douglas, Doug Downs, Heidi Estrem, Kristine Hansen, Doug Hesse, Sandra Jamieson, Neal Lerner, Jennifer Helene Maher, Barry Maid, Jaime Armin Mejía, Carolyn R. Miller, Kelly Myers, Gwendolynne Reid, Liane Robertson, Rochelle Rodrigo, Dawn Shepherd, Kara Taczak
Information zu Autoren / Herausgebern
Rita Malenczyk is professor of English and director of the Writing Program and Writing Center at Eastern Connecticut State University. She is the editor of A Rhetoric for Writing Program Administrators, now in its second edition, and a past president of the Council of Writing Program Administrators.
Susan Miller-Cochran is professor of English and director of the Writing Program at the University of Arizona. She has served as a faculty member at Mesa Community College, director of First-Year Writing at North Carolina State University, and president of the Council of Writing Program Administrators.
Elizabeth Wardle is director of the Roger & Joyce Howe Center for Writing Excellence at Miami University and previously directed writing programs at the University of Dayton and the University of Central Florida. She coedited Naming What We Know and Writing about Writing, now in its third edition.
Kathleen Blake Yancey is Kellogg W. Hunt Professor of English and Distinguished Research Professor at Florida State University and past president/chair of NCTE, CCCC, and CWPA. The recipient of several awards, she has authored/edited many articles/book chapters and books, most recently A Rhetoric of Reflection and Assembling Composition.
Rezensionen
—Dan Melzer, California State University, Sacramento
“[A] strong, well-conceived collection. . . . I learned much from it.”
—Tony Scott, Syracuse University
—CHOICE
“Seldom does scholarship feel so hopeful.”
—Composition Studies
Fachgebiete
-
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
Front Matter
i -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
Contents
v -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
Editors ’ Introduction
3 - Section 1 Where Have We Been, Where Are We Now, and Why Are We Here?
-
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
1 Mapping the Turn to Disciplinarity
15 -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
2 My Discipl inary History
36 -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
3 Acknowledging Disciplinary Contributions
53 -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
4 Learning from Bruffee
70 - Section 2 Coming to Terms
-
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
5 Classification and Its Discontents
87 -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
6 Understanding the Nature of Disciplinarity in Terms of Compos ition’s Values
111 -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
7 Discipline and Profession
134 - Section 3 Coming to Terms
-
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
8 Embracing the Virtue in Our Disciplinarity
161 -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
9 Disciplinarity and First-Year Composition
185 -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
10 Writing, English, and a Translingual Model for Composition
206 -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
11 Shared Landscapes, Contested Borders
225 - Section 4 Where Are We Going and How Do We Get There?
-
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
12 The Major in Composition Writing and Rhetoric
243 -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
13 Rhetoric and Composition Studies and Latinxs’ Largest Group: Mexican Americans
267 -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
14 Redefining Disciplinarity in the Current Context of Higher Education
287 -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
15 Looking Outward
303 -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
Editors’ Conclusion
331 -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
Contributors
343 -
PDF downloadenErfordert eine Authentifizierung Nicht lizenziertLizenziert
Index
348