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University of California Press
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Eduard J. Steichen, Painter-Photographer
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Kapitel in diesem Buch
- Frontmatter I
- Contents IX
- Illustrations XII
- Acknowledgments XIII
- Introduction 1
- Chronology 45
-
PART I. THE ISSUES
- Boston Toward the End of the Eighties 51
- How an American Art Could Be Developed 58
- A Tuesday Evening at Stéphane Mallarmé's 63
- A National American Art 68
- [On Women as Artists] 77
- Boston Art Gossip 79
- Buddha'. Scene XII 84
- La Modernité in Painting 87
- Art Photography in Its Relationship to Painting 89
- A Few Reflections on Amateur and Artistic Photography 99
- [On the Necessity of Art Criticism in America] 105
- [On the Solitude of American Artists] 108
- New York Artists' Models 112
- The New York Camera Club 117
- Color and Texture in Photography 122
- Subject and Treatment 129
- On Pictorial and Illustrative Qualities 136
- The "Flat-Iron" Building— an Esthetical Dissertation 140
- Repetition, with Slight Variation 147
- The Value of the Apparently Meaningless and Inaccurate 151
- Aesthetic Activity in Photography 155
- White Chrysanthemums 163
- A Monologue 166
- On the Lack of Culture 168
- The Technique of Mystery and Blurred Effects 172
- The Unconventional in Portrait Photography 176
- The Inquisitorial System 182
- From "The Decadence of Sculpture" 185
- Unphotographic Paint: The Texture of Impressionism 189
- [The Scarlet Departure] 194
- "The Younger American Painters" and the Press 195
- The American Picture World 199
- On Originality 209
- Broken Melodies 213
- The Esthetic Value of Cubism 217
- A Contribution to the Technique of Draughtsmanship: The Relation of Drawing to Handwriting 221
- On Pictorial Projection 227
- [On the Process of Selection] 231
-
PART II. THE ARTISTS
- Thomas W. Dewing 237
- [On Arthur B. Davies] 242
- [On Thomas Eakins and Winslow Homer] 250
- [On Claude Monet] 252
- [On William Merritt Chase] 255
- A Visit to A. P. Ryder! 259
- [On Thomas Eakins] 264
- [On Robert Henri] 268
- [On Winslow Homer] 271
- [On Augustus St. Gaudens] 273
- Alfred Stieglitz: An Art Critic's Estimate 276
- The Split in the Art Society 284
- A Chat on New York Sculptors 287
- Puvis de Chavannes 293
- Boston Artists 296
- [On Childe Hassam] 300
- Eduard J. Steichen, Painter-Photographer 304
- John Donoghue 307
- An Estimate of George Luks 313
- [On William Glackens] 315
- Selections from The Whistler Book 316
- Rodin's Balzac 325
- Structural Units 329
- Once More Matisse 333
- From a Hollywood Studio 336
- What is the Matter with Eisenstein? 338
- Checklist of Artists Named in the Essays 341
- Bibliography of Art Writings by Sadakichi Hartmann 369
- Index 391
Kapitel in diesem Buch
- Frontmatter I
- Contents IX
- Illustrations XII
- Acknowledgments XIII
- Introduction 1
- Chronology 45
-
PART I. THE ISSUES
- Boston Toward the End of the Eighties 51
- How an American Art Could Be Developed 58
- A Tuesday Evening at Stéphane Mallarmé's 63
- A National American Art 68
- [On Women as Artists] 77
- Boston Art Gossip 79
- Buddha'. Scene XII 84
- La Modernité in Painting 87
- Art Photography in Its Relationship to Painting 89
- A Few Reflections on Amateur and Artistic Photography 99
- [On the Necessity of Art Criticism in America] 105
- [On the Solitude of American Artists] 108
- New York Artists' Models 112
- The New York Camera Club 117
- Color and Texture in Photography 122
- Subject and Treatment 129
- On Pictorial and Illustrative Qualities 136
- The "Flat-Iron" Building— an Esthetical Dissertation 140
- Repetition, with Slight Variation 147
- The Value of the Apparently Meaningless and Inaccurate 151
- Aesthetic Activity in Photography 155
- White Chrysanthemums 163
- A Monologue 166
- On the Lack of Culture 168
- The Technique of Mystery and Blurred Effects 172
- The Unconventional in Portrait Photography 176
- The Inquisitorial System 182
- From "The Decadence of Sculpture" 185
- Unphotographic Paint: The Texture of Impressionism 189
- [The Scarlet Departure] 194
- "The Younger American Painters" and the Press 195
- The American Picture World 199
- On Originality 209
- Broken Melodies 213
- The Esthetic Value of Cubism 217
- A Contribution to the Technique of Draughtsmanship: The Relation of Drawing to Handwriting 221
- On Pictorial Projection 227
- [On the Process of Selection] 231
-
PART II. THE ARTISTS
- Thomas W. Dewing 237
- [On Arthur B. Davies] 242
- [On Thomas Eakins and Winslow Homer] 250
- [On Claude Monet] 252
- [On William Merritt Chase] 255
- A Visit to A. P. Ryder! 259
- [On Thomas Eakins] 264
- [On Robert Henri] 268
- [On Winslow Homer] 271
- [On Augustus St. Gaudens] 273
- Alfred Stieglitz: An Art Critic's Estimate 276
- The Split in the Art Society 284
- A Chat on New York Sculptors 287
- Puvis de Chavannes 293
- Boston Artists 296
- [On Childe Hassam] 300
- Eduard J. Steichen, Painter-Photographer 304
- John Donoghue 307
- An Estimate of George Luks 313
- [On William Glackens] 315
- Selections from The Whistler Book 316
- Rodin's Balzac 325
- Structural Units 329
- Once More Matisse 333
- From a Hollywood Studio 336
- What is the Matter with Eisenstein? 338
- Checklist of Artists Named in the Essays 341
- Bibliography of Art Writings by Sadakichi Hartmann 369
- Index 391