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1. Sumarokov: Life and Works

  • Marcus Levitt
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Early Modern Russian Letters
This chapter is in the book Early Modern Russian Letters
© 2019 Academic Studies Press, Boston, USA

© 2019 Academic Studies Press, Boston, USA

Chapters in this book

  1. Frontmatter i
  2. Table of Contents v
  3. Foreword vii
  4. Part One. SUMAROKOV AND THE LITERA RY PROCESS OF HIS TIME
  5. Preface 3
  6. 1. Sumarokov: Life and Works 6
  7. 2. Sumarokov’s Reading at the Academy of Sciences Library 22
  8. 3. Censorship and Provocation: Th e Publishing History of Sumarokov’s “Two Epistles” 44
  9. 4. Slander, Polemic, Criticism: Trediakovskii’s “Letter...from a Friend to a Friend” of 1750 and the Problem of Creating Russian Literary Criticism 64
  10. 5. Sumarokov’s Russianized “Hamlet”: Texts and Contexts 76
  11. 6. Sumarokov’s Drama “Th e Hermit”: On the Generic and Intellectual Sources of Russian Classicism 103
  12. 7. “Th e First Russian Ballet”: Sumarokov’s “Sanctuary of Virtue” (1759) Defining a New Dance 119
  13. 8. Was Sumarokov a Lockean Sensualist? On Locke’s Reception in Eighteenth-Century Russia 158
  14. 9. Barkoviana and Russian Classicism 173
  15. 10. Th e Illegal Staging of Sumarokov’s Sinav and Truvor in 1770 and the Problem of Authorial Status in Eighteenth-Century Russia 190
  16. 11. Sumarokov and the Unified Poetry Book: His Triumphal Odes and Love Elegies Th rough the Prism of Tradition 218
  17. 12. Th e Barbarians Among Us, or Sumarokov’s Views on Orthography 248
  18. Part Two. VISUALITY AND ORTHODOXY IN EIGHTEENTH-CENTURY RUSSIAN CULTURE
  19. Preface 267
  20. 13. Th e Rapprochement Between “Secular” and “Religious” in Mid to Late Eighteenth-Century Russian Culture 269
  21. 14. The “Obviousness” of the Truth in Eighteenth-Century Russian Th ought 294
  22. 15. Th e Theological Context of Lomonosov’s “Evening” and “Morning Meditations on God’s Majesty” 305
  23. 16. The Ode as Revelation: On the Orthodox Theological Context of Lomonosov’s Odes 320
  24. 17. An Antidote to Nervous Juice: Catherine the Great’s Debate with Chappe d’Auteroche over Russian Culture 339
  25. 18. The Polemic with Rousseau over Gender and Sociability in E. S. Urusova’s Polion (1774) 358
  26. 19. Virtue Must Advertise: Self Presentation in Dashkova’s Memoirs 379
  27. 20. The Dialectic of Vision in Radishchev’s Journey fr om Petersburg to Moscow 398
  28. Sources 413
  29. Index 415
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