Chapter
Open Access
1. Sumarokov: Life and Works
-
Marcus Levitt
Chapters in this book
- Frontmatter i
- Table of Contents v
- Foreword vii
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Part One. SUMAROKOV AND THE LITERA RY PROCESS OF HIS TIME
- Preface 3
- 1. Sumarokov: Life and Works 6
- 2. Sumarokov’s Reading at the Academy of Sciences Library 22
- 3. Censorship and Provocation: Th e Publishing History of Sumarokov’s “Two Epistles” 44
- 4. Slander, Polemic, Criticism: Trediakovskii’s “Letter...from a Friend to a Friend” of 1750 and the Problem of Creating Russian Literary Criticism 64
- 5. Sumarokov’s Russianized “Hamlet”: Texts and Contexts 76
- 6. Sumarokov’s Drama “Th e Hermit”: On the Generic and Intellectual Sources of Russian Classicism 103
- 7. “Th e First Russian Ballet”: Sumarokov’s “Sanctuary of Virtue” (1759) Defining a New Dance 119
- 8. Was Sumarokov a Lockean Sensualist? On Locke’s Reception in Eighteenth-Century Russia 158
- 9. Barkoviana and Russian Classicism 173
- 10. Th e Illegal Staging of Sumarokov’s Sinav and Truvor in 1770 and the Problem of Authorial Status in Eighteenth-Century Russia 190
- 11. Sumarokov and the Unified Poetry Book: His Triumphal Odes and Love Elegies Th rough the Prism of Tradition 218
- 12. Th e Barbarians Among Us, or Sumarokov’s Views on Orthography 248
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Part Two. VISUALITY AND ORTHODOXY IN EIGHTEENTH-CENTURY RUSSIAN CULTURE
- Preface 267
- 13. Th e Rapprochement Between “Secular” and “Religious” in Mid to Late Eighteenth-Century Russian Culture 269
- 14. The “Obviousness” of the Truth in Eighteenth-Century Russian Th ought 294
- 15. Th e Theological Context of Lomonosov’s “Evening” and “Morning Meditations on God’s Majesty” 305
- 16. The Ode as Revelation: On the Orthodox Theological Context of Lomonosov’s Odes 320
- 17. An Antidote to Nervous Juice: Catherine the Great’s Debate with Chappe d’Auteroche over Russian Culture 339
- 18. The Polemic with Rousseau over Gender and Sociability in E. S. Urusova’s Polion (1774) 358
- 19. Virtue Must Advertise: Self Presentation in Dashkova’s Memoirs 379
- 20. The Dialectic of Vision in Radishchev’s Journey fr om Petersburg to Moscow 398
- Sources 413
- Index 415
Chapters in this book
- Frontmatter i
- Table of Contents v
- Foreword vii
-
Part One. SUMAROKOV AND THE LITERA RY PROCESS OF HIS TIME
- Preface 3
- 1. Sumarokov: Life and Works 6
- 2. Sumarokov’s Reading at the Academy of Sciences Library 22
- 3. Censorship and Provocation: Th e Publishing History of Sumarokov’s “Two Epistles” 44
- 4. Slander, Polemic, Criticism: Trediakovskii’s “Letter...from a Friend to a Friend” of 1750 and the Problem of Creating Russian Literary Criticism 64
- 5. Sumarokov’s Russianized “Hamlet”: Texts and Contexts 76
- 6. Sumarokov’s Drama “Th e Hermit”: On the Generic and Intellectual Sources of Russian Classicism 103
- 7. “Th e First Russian Ballet”: Sumarokov’s “Sanctuary of Virtue” (1759) Defining a New Dance 119
- 8. Was Sumarokov a Lockean Sensualist? On Locke’s Reception in Eighteenth-Century Russia 158
- 9. Barkoviana and Russian Classicism 173
- 10. Th e Illegal Staging of Sumarokov’s Sinav and Truvor in 1770 and the Problem of Authorial Status in Eighteenth-Century Russia 190
- 11. Sumarokov and the Unified Poetry Book: His Triumphal Odes and Love Elegies Th rough the Prism of Tradition 218
- 12. Th e Barbarians Among Us, or Sumarokov’s Views on Orthography 248
-
Part Two. VISUALITY AND ORTHODOXY IN EIGHTEENTH-CENTURY RUSSIAN CULTURE
- Preface 267
- 13. Th e Rapprochement Between “Secular” and “Religious” in Mid to Late Eighteenth-Century Russian Culture 269
- 14. The “Obviousness” of the Truth in Eighteenth-Century Russian Th ought 294
- 15. Th e Theological Context of Lomonosov’s “Evening” and “Morning Meditations on God’s Majesty” 305
- 16. The Ode as Revelation: On the Orthodox Theological Context of Lomonosov’s Odes 320
- 17. An Antidote to Nervous Juice: Catherine the Great’s Debate with Chappe d’Auteroche over Russian Culture 339
- 18. The Polemic with Rousseau over Gender and Sociability in E. S. Urusova’s Polion (1774) 358
- 19. Virtue Must Advertise: Self Presentation in Dashkova’s Memoirs 379
- 20. The Dialectic of Vision in Radishchev’s Journey fr om Petersburg to Moscow 398
- Sources 413
- Index 415