In John Paizs’s ‘Crime Wave,’ writer and filmmaker Jonathan Ball offers the first book-length study of this curious Canadian film.

Few studies of Canadian cinema to date have engaged deeply with genre cinema and its connection to Canadian culture. Ernest Mathijs does just that in this volume, which traces the inception, production, and reception of Canada’s internationally renowned horror film, Ginger Snaps (2000).

Varga illuminates how the film can be viewed through the lens of Harold Innis's theories of communication and culture, opening up the work of this great Canadian political economist to film studies.

Featuring interviews with McDonald himself and others involved in the film, Bruce McDonald’s ‘Hard Core Logo’ provides an engaging look at one of Canada’s most mythologized movies.

Wieland specialist Johanne Sloan offers a fascinating new perspective on The Far Shore, making it more accessible by discussing Wieland's utopian fusion of art and politics, the importance of landscape within Canadian culture, and the on-going struggle over the meaning of the natural environment.

The fifth volume in the Canadian Cinema series, this work is an accessible and engaging introduction to a controversial film and its fascinating director.

Through an exploration of My Winnipeg's major thematic concerns - memory, the cultural archive, and how people and objects circulate through the space of the city - Wershler contends that the result is a film that is psychologically and affectively true without being historically accurate.

Tom McSorley traces the genesis, production, and reception of Egoyan's fourth feature film, from its Cannes Film Festival premiere to its North American commercial release.