SUNY series in Italian/American Culture

An in-depth sociological investigation of "hope" as it applies to the Italian immigrant experience in the blue-collar suburb of Chicago Heights between 1910 and 1950.

Hopelessly Alien is an in-depth study of Italian immigration to Chicago Heights, Illinois, between 1910 and 1950. Drawing upon oral histories, interviews, historical documents, and census materials, Louis Corsino examines the critical concept of hope, which most immigration studies have cast in privatized, psychological terms as the motivation to emigrate in search of a better life. This investigation offers a more contentious, sociological perspective, depicting hope as both an ideological lure to recruit and manage the "foreign element" and as a resource immigrants employed to purchase acceptance and avoid a disparaging label as a "hopelessly alien" stranger. These dialectical processes are illustrated through the Italian immigrants' pursuit of occupational mobility and homeownership, and the appropriation of their children's hopes. Each became forms of cultural capital that demonstrated a public commitment to the American ethos of "joyful striving." Each provided measures of success, but these individual pursuits came at the expense of upsetting the necessary tension between individual and communal hopes.

Provides a remapping of Italian and Italian American culture by retracing trans and gender-variant experiences within Italy and along diasporic routes.

How does the mapping of Italian culture change when it is charted from the perspective of gender-variant people? Italian Trans Geographies tackles this question by retracing trans and gender-variant experiences within the Italian peninsula and along diasporic routes. The volume adopts a cross-disciplinary approach that combines scholarly analyses with grassroots engagement and creative work and centers the voices of Italian and Italian American transpeople through autobiographies, memoirs, interviews, poetry, and visual works. The contributions include works by key Italian trans activists, including Romina Cecconi, Porpora Marcasciano, and Helena Velena, as well as critical interpretations of scholars and artists (many of whom self-identify as trans). Ultimately, these voices show how trans people have contributed to shaping Italian places and cultures while, in turn, being shaped by those places and cultures. Through its attention to geospecific sites, the book highlights blind spots in the hegemonic Anglo-American discourse about gender and overlooked intersections between LGBTQIA+ global discourse and local realities.

Uncovers an overlooked aspect of the Italian American experience.

In Beyond Memory, Dennis Barone uncovers the richness and diversity of the Italian Protestant experience and places it in the context of migration and political and social life in both Italy and the United States. Italian Protestants have received scant attention in the fields of Italian American studies, religious studies, and immigration studies, and through literary sources, church records, manuscript sources, and secondary sources in various fields, Barone introduces such forgotten voices as the Baptist Antonio Mangano, the Methodist Antonio Arrighi, and his great-grandfather Alfredo Barone, a Baptist minister to congregations in Italy and Massachusetts. Examining the complex histories of these and other Italian Protestants, Barone argues that Protestantism ultimately served as a means to negotiate between Old World and New World ways, even as it resulted in the double alienation of rejection by Roman Catholic immigrants and condescension by Anglo-Protestants. Though the book focuses on the years of high immigration (1890–1920), it also looks at precursors to post-reunification Protestants as well as Protestants in Italy today, now that the nation has become a country of in-migration.

Makes the case for a distinctly Sicilian American literature.

In The Heart and the Island, Chiara Mazzucchelli explores the strong bond between Sicilian American writers and the island of Sicily. Self-contained yet connected to the mainland, geographically separated from yet politically united to the rest of Italy, Sicily occupies a unique position. Throughout the twentieth century, the sense of a distinct sicilianità-or Sicilianness-has manifested itself in a corpus of texts that, although subsumed under the broader context of Italian literature, have distinguished themselves as examples of an exquisitely Sicilian literary experience. Mazzucchelli argues that a parallel phenomenon-sicilianamericanità-has emerged in the United States. Focusing on the island's geography, history, and culture, she examines how many American authors of Sicilian descent derive inspiration from their ethnic milieu and lay out a recognizable set of Sicilian culture markers in their works, thereby producing a literature that is distinctly Sicilian American. Drawing on both Italian and Italian American scholarship, The Heart and the Island is the first full-length study of Sicilian American literature, and it opens a space for new interdisciplinary discussions on what it means to be Italian on both sides of the ocean.

A transformative look at a popular instrument and a hidden chapter of American history.

The American guitar, that lightweight wooden box with a long neck, hourglass figure, and six metal strings, has evolved over five hundred years of social turmoil to become a nearly magical object-the most popular musical instrument in the world. In The Guitar and the New World, Joe Gioia offers a many-limbed social history that is as entertaining as it is informative. After uncovering the immigrant experience of his guitar-making Sicilian great uncle, Gioia's investigation stretches from the ancient world to the fateful events of the 1901 Buffalo Pan American Exposition, across Sioux Ghost Dancers and circus Indians, to the lives and works of such celebrated American musicians as Jimmy Rodgers, Charlie Patton, Eddie Lang, and the Carter Family.

At the heart of the book's portrait of wanderings and legacies is the proposition that America's idiomatic harmonic forms-mountain music and the blues-share a single root, and that the source of the sad and lonesome sounds central to both is neither Celtic nor African, but truly indigenous-Native American. The case is presented through a wide examination of cultural histories, academic works, and government documents, as well as a close appreciation of recordings made by key rural musicians, black and white, in the 1920s and '30s.

The guitar in its many forms has cheered humanity through centuries of upheaval, and The Guitar and the New World offers a new account of this old friend, as well as a transformative look at a hidden chapter of American history.

Tracks the influence of Italian cinema on American film from the postwar period to the present.

In The Transatlantic Gaze, Mary Ann McDonald Carolan documents the sustained and profound artistic impact of Italian directors, actors, and screenwriters on American film. Working across a variety of genres, including neorealism, comedy, the Western, and the art film, Carolan explores how and why American directors from Woody Allen to Quentin Tarantino have adapted certain Italian trademark techniques and motifs. Allen's To Rome with Love (2012), for example, is an homage to the genius of Italian filmmakers, and to Federico Fellini in particular, whose Lo sceicco bianco/The White Sheik (1952) also resonates with Allen's The Purple Rose of Cairo (1985) as well as with Neil LaBute's Nurse Betty (2000). Tarantino's Kill Bill saga (2003, 2004) plays off elements of Sergio Leone's spaghetti Western C'era una volta il West/Once Upon a Time in the West (1968), a transatlantic conversation about the Western that continues in Tarantino's Oscar-winning Django Unchained (2012). Lee Daniels's Precious (2009) and Spike Lee's Miracle at St. Anna (2008), meanwhile, demonstrate that the neorealism of Roberto Rossellini and Vittorio De Sica, which arose from the political and economic exigencies of postwar Italy, is an effective vehicle for critiquing social issues such as poverty and racism in a contemporary American context. The book concludes with an examination of American remakes of popular Italian films, a comparison that offers insight into the similarities and differences between the two cultures and the transformations in genre, both subtle and obvious, that underlie this form of cross-cultural exchange.

A 1960s Bronx tomboy learns how to survive her brutal but humorous Italian family and all the rest that life throws her. The harder you hit the pavement, the higher you fly.

Finalist for the 2014 Lambda Literary Award in the Lesbian Memoir/Biography Category presented by the Lambda Literary Foundation

This vivid memoir speaks the intense truth of a Bronx tomboy whose 1960s girlhood was marked by her father's lullabies laced with his dissociative memories of combat in World War II. At four years old, Annie Rachele Lanzillotto bounced her Spaldeen on the stoop and watched the boys play stickball in the street; inside, she hid silver teaspoons behind the heat pipes to tap calls for help while her father beat her mother. At eighteen, on the edge of ambitious freedom, her studies at Brown University were halted by the growth of a massive tumor inside her chest. Thus began a wild, truth-seeking journey for survival, fueled by the lessons of lasagna vows, and Spaldeen ascensions. From the stoops of the Bronx to cross-dressing on the streets of Egypt, from the cancer ward at Memorial Sloan-Kettering to New York City's gay club scene of the '80s, this poignant and authentic story takes us from underneath the dining room table to the stoop, the sidewalk, the street, and, ultimately, out into the wide world of immigration, gay subculture, cancer treatment, mental illness, gender dynamics, drug addiction, domestic violence, and a vast array of Italian American characters. With a quintessential New Yorker as narrator and guide, this journey crescendos in a reluctant return home to the timeless wisdom of a peasant, immigrant grandmother, Rosa Marsico Petruzzelli, who shows us the sweetest essence of soul.

A comprehensive cultural and historical portrait of Italian American identities in Boston's North End.

In this lively and accessible book, Augusto Ferraiuolo examines the many religious festivals in the Italian American community of Boston's North End. Using interviews, participant observation, and visual data, Ferraiuolo creates a vivid picture of how, over the course of a summer season, a number of religious festive practices are organized by multiple, overlapping, and, to some extent, competing voluntary organizations. The central argument that emerges is that the community uses these festivals, in part, to help maintain and establish a variety of identities, and that these identities are multistranded, complex, shifting, and negotiated-and thus ephemeral. In addition, Ferraiuolo shows in detail how individuals negotiate and construct identities as Italian Americans, Scaccianesi, Neapolitans, Catholics, and others, within the context of these celebrations. He also introduces a creative and original metaphor for understanding the ways in which selfhood is constructed, arguing that contemporary identities function as hypertext, in the manner of web-based technologies, linking to one another and building upon each other as constantly evolving "technologies of the self."

Provides an overview of the past, present, and future of Italian American culture.

Leaving Little Italy explores the various forces that have shaped and continue to mold Italian American culture. Early chapters offer a historical survey of major developments in Italian American culture, from the early mass immigration period to the present day, situating these developments within the larger framework of American culture as a whole. Subsequent chapters examine particular works of Italian American literature and film from a variety of perspectives, including literary history, gender, social class, autobiography, and race. Paying particular attention to how the individual artist's personality has intersected with community in the shaping of Italian American culture, the book reveals how and why Italian America was invented and why Little Italys must ultimately disappear.

A comprehensive look at a classic work of popular fiction and its hold on the American imagination.

Mario Puzo's The Godfather is an American pop phenomenon whose driving force is reflected not only in book sales and cable television movie marathons but also in such related works as the hit television series The Sopranos. In The Godfather and American Culture, Chris Messenger offers an important and comprehensive study of this classic work of popular fiction and its hold on the American imagination. As Messenger shows, the Corleones have indeed become "our gang," and we see our family business in America reflected in them. Examining The Godfather and its many incarnations within a variety of texts and contexts, Messenger also addresses Puzo's inconsistent affiliation with his Italian heritage, his denial of the multiethnic literary subject, and his decades-long struggle for respect as a writer in contemporary America. The study ultimately offers a way of looking at the much-maligned genre of popular or bestselling fiction itself. By placing both the novel and films within a number of revealing critical situations, Messenger addresses the continuing problem of how we talk about elite and popular fiction in America-and what we mean when we take sides.

Examines the liberating power of speech and its influence on generations of Italian American writers.

In By the Breath of Their Mouths, Mary Jo Bona examines the oral uses of language and the liberating power of speech in Italian American writing, as well as its influences on generations of assimilated Italian American writers. Probing and wide-ranging, Bona's analysis reveals the lasting importance of storytelling and folk narrative, their impact on ethnic, working-class, and women's literatures, and their importance in shaping multiethnic literature. Drawing on a wide range of material from several genres, including oral biographies, fiction, film, poetry, and memoir, and grounded in recent theories of narrative and autobiography, postcolonial theory, and critical multiculturalism, By the Breath of Their Mouths is must reading for students in Italian American studies in particular and ethnic studies and multiethnic literature more generally.

Explores changes in American attitudes toward Italy and Italians during a crucial period of U.S. immigration history.

Integrating history, literary criticism, and cultural studies, Imagining Italians vividly tells the story of two voyages across the Atlantic: America's cultural pilgrimage to Italy and the Italian "racial odyssey" in America. It examines how American representations of Italy, Italians, and Italian Americans engaged with national debates over immigration, race, and national identity during the period 1880–1910. Joseph P. Cosco offers a close analysis of selected works by immigrant journalists Jacob Riis and Edward Steiner and American iconographic writers Henry James and Mark Twain. Exploring their Italian depictions in journalism, photos, travel narratives, and fiction, he rediscovers the forgotten Edward Steiner and offers fresh readings of Riis's reform efforts and photography, James's The Golden Bowl and The American Scene, and Mark Twain's Pudd'nhead Wilson.

Examines the forces that have shaped Italian American writing, from the novels of John Fante to the musings of Tony Soprano.

Winner of the 2006 Pietro Di Donato and John Fante Literary Award from The Grand Lodge of the Sons of Italy, New York State

Robert Viscusi takes a comprehensive look at Italian American writing by exploring the connections between language and culture in Italian American experience and major literary texts. Italian immigrants, Viscusi argues, considered even their English to be a dialect of Italian, and therefore attempted to create an American English fully reflective of their historical, social, and cultural positions. This approach allows us to see Italian American purposes as profoundly situated in relation not only to American language and culture but also to Italian nationalist narratives in literary history as well as linguistic practice. Viscusi also situates Italian American writing within the "eccentric design" of American literature, and uses a multidisciplinary approach to read not only novels and poems, but also houses, maps, processions, videos, and other artifacts as texts.

A tribute to the Italian American family and its trying bonds of love.

Finalist for the 2011 ForeWord Book of the Year in the Autobiography/Memoir Category

"I was born in 1944, but raised in the twelfth century." With that, Joanna Clapps Herman neatly describes the two worlds she inhabited while growing up as the child of Italian American immigrants in Waterbury, Connecticut, a place embedded with values closer to Homer's Greece than to Anglo-American New England, where the ethic of hospitality was and still is more Middle Eastern and North African than Anglo-European, and where the pageantry and ritual were more pagan Mediterranean than Western Christian. It was also a place where a stuffed monkey wearing a fedora sat and continues to sit on her grandmother's piano, and a place where, when the donkey got stubborn and wouldn't plow the field, her grandfather bit the animal in a fury. In essays filled with wry humor and affectionate yet probing insights, Herman maps and makes palpable the very particular details of this culture-its pride and its shame, its profound loyalty and its Byzantine betrayals.

Food-based reflections on Italian food, American culture, and globalization.

Despite the inclusion of six classic recipes, Bitter Greens is not an ethnic cookbook but a Roman banquet of political satire, cultural criticism, and culinary memoir. Set primarily in the Empire State and arranged like the courses of a traditional Italian meal, Anthony Di Renzo's wide-ranging essays meditate on Italian food at the noon of American imperialism and the twilight of ethnicity, exploring such issues as the Wegmans supermarket chain's conquest of Sicily; assembly-line sausages; the fabled onion fields of Canastota, New York; the tripe shops of postwar Brooklyn; Hunts Point Market and Andy Boy broccoli rabe; and the fatal lure of Sicilian chocolate. Is the new global supermarket a democratic feast, Di Renzo asks, or a cannibal potluck where consumers are themselves consumed? Sip an aperitif, toast Horace and Juvenal, and enjoy Chef Di Renzo's catered symposium. It will feed your mind, tickle your ribs, and heal your spleen.

A funny, tragic, garlicky chronicle of growing up on the wrong side of the tracks in Central New York.

Finalist for the 2009 ForeWord Book of the Year in the Autobiography/Memoir Category

Once an Engineer is a funny, tragic, garlicky chronicle of a dozen years spent growing up on the wrong side of the tracks. The tail end of the sixties finds Joe and his younger brother, Mike, living with their divorced and unemployed father in a low-income neighborhood on the edge of Syracuse, New York, a once prosperous city now down on its luck. Mike and Joe mature under their father's distinctively masculine tutelage, but their dreams of a better life are tempered by the harsh realities of public assistance.

When the brothers are offered the chance to attend college, they are drawn to the engineering profession, with its seductive promise of middle-class wages and social status. At the same time, their father's trade, furniture finishing, succumbs to a new era of industrial and economic change, and as the gap between father and sons widens, they come to learn the true costs of upward mobility.

Once an Engineer tells the story of three lives rooted in the moods and lore of Central New York, and the difficulty of finding meaningful work in a world gone inexorably, technologically global.