Ukrainian Studies
The book offers a thorough study of the early poetry (1956–1971) of the Ukrainian/American writer Yuriy Tarnawsky, focusing on its evolutionary path from late modernism to postmodernism, which the author conceptualizes as a “shift of dominants” from humanist (existentialist) questions to an anti-humanist and post-epistemological perspective.
An evocative collection of vignettes and essays from Ukraine’s “voice” of classical antiquity, now available in English for the first time.
Inspired by Virgil’s exquisitely ambivalent phrase “sunt lacrimae rerum” (there are tears of/for/in things), Andriy Sodomora, the Ukrainian “voice” of classical antiquity, has produced a series of original vignettes and essays about things: the big things in our lives (like happiness, loneliness, and aging); the small things we do or see daily, rarely paying attention to them (like a tree’s shadow or the kernels on an ear of corn); and the things (i.e., objects) to which we form connections. The selected stories presented here are the first English translations of Sodomora’s profoundly intellectual and intertextual prose. Through his nostalgic memories and recollections, Sodomora takes readers on a journey through western Ukraine, as well as through world literature, from ancient Greece and Rome to the poetry of Paul Verlaine and Federico García Lorca.
This book has been published with the support of the Translate Ukraine Translation Program.
This interdisciplinary study of cosmopolitan spaces in Odesa explores topical issues in cultural diversity, ethnicity, literature, and socio-economic history. The book brings together leading scholars in a ground-breaking discussion of relations between Russians, Jews, and Ukrainians in one of the most fascinating multiethnic cities in eastern Europe.
Winner of the 2022 Ab Imperio Award for the Best Study in New Imperial History and History of Diversity in Northern Eurasia
This first English-language synthesis of the history of Dnipro (until 2016 Dnipropetrovsk, until 1926 Katerynoslav) locates the city in a broader regional, national, and transnational context and explores the interaction between global processes and everyday routines of urban life. The history of a place (throughout its history called ‘new Athens’, ‘Ukrainian Manchester’, ‘the Brezhnev`s capital’ and ‘the heart of Ukraine’) is seen through the prism of key threads in the modern history of Europe: the imperial colonization and industrialization, the war and the revolution in the borderlands, the everyday life and mythology of a Soviet closed city, and the transformations of post-Soviet Ukraine. Designed as a critical entangled history of the multicultural space, the book looks for a new analytical language to overcome the traps of both national and imperial history-writing.
With these essays, the Ukrainian Studies community worldwide wishes to celebrate Marko Pavlyshyn on his 65th birthday. The many periods and texts analyzed reflect the multifariousness of Marko’s scholarship and the interest in literature as an instrument of social communication that he shares with the authors of this book.
Courage and Fear is a meticulously documented study of Lviv’s intelligentsia during the Second World War, as the Soviet and German occupations obliterate the intricate social fabric of the city. This micro-history is told from the perspective of individuals, whose stories lost out to grand national narratives.
Having exploded on the margins of Europe, Chornobyl marked the end of the Soviet Union and tied the era of postmodernism in Western Europe with nuclear consciousness. The Post-Chornobyl Library becomes a metaphor of a new Ukrainian literature of the 1990s, which emerges out of the Chornobyl nuclear trauma.
