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Beckett’s Art of Mismaking
Sprache:
Englisch
Veröffentlicht/Copyright:
2016
Über dieses Buch
Leland de la Durantaye helps us understand Beckett’s strangeness and notorious difficulty by arguing that Beckett’s lifelong campaign was to mismake on purpose—not to denigrate himself, or his audience, or reconnect with the child or savage within, but because he believed that such mismaking is in the interest of art and will shape its future.
Information zu Autoren / Herausgebern
de la Durantaye Leland :
Leland de la Durantaye is Professor of Literature at Claremont McKenna College.
Rezensionen
Excellent…Where most studies are busy narrowing their focus, Durantaye roams across the Beckett canon, making connections between early and late works, and with other writers too where pertinent…Durantaye deploys theory with a confidence and lightness that are exhilarating without ever becoming flamboyant or flippant…He himself is a wonderfully lucid critic, particularly when it comes to unpicking critical clichés…On questions of characterization, setting and style he is consistently illuminating, and he has, like the finest critics, an ability to ask questions that seem obvious only once they are posed.
-- Dan Gunn Times Literary Supplement
-- Dan Gunn Times Literary Supplement
In this lean study, de la Durantaye combines exegesis, biography, and deeply informed critical theorizing to speculate on the meaning and methodology of Samuel Beckett’s famously demanding oeuvre. De la Durantaye’s central thesis is that Beckett’s ‘logoclasm,’ or ‘ruptured writing,’ dismantled the traditional aims of literature in order to uncover what, if anything, lay beneath the language. In dense but artful chapters, de la Durantaye explores how and why this logoclasm manifested in Beckett’s preoccupation with landscapes that evoke estrangement, his Oedipal flight from friend and mentor James Joyce’s style, and the psychopathology of his ‘gallery of moribunds.’ In interpreting Beckett’s aesthetic pessimism in terms of these categories of ‘willed creative mismaking,’ de la Durantaye goes some way toward distinguishing his book from the wealth of available studies on the modernist master. [A] brief but substantial contribution.
-- Publishers Weekly
-- Publishers Weekly
A fascinating account, both intelligent and irreverent—in the best sense of these words—of Samuel Beckett’s creative chaos, his mismaking ‘by design.’
-- Chris Ackerley, University of Otago
-- Chris Ackerley, University of Otago
This book feels so different from almost every other book on Beckett. There are many insights, quick excursions, surprising allusions. The reader is a companion, part of a conversation, and the effect is very exciting, a sort of collaborative critical project. An intellectual adventure.
-- Michael Wood, Princeton University
-- Michael Wood, Princeton University
Samuel Beckett’s works continue to intrigue audiences and enthrall critics, yet for many his work remains difficult. In this lively study, La Durantaye addresses this head on and provides a fresh approach for appreciating Beckett’s aesthetic practice…Treating the essential difficulty of Beckett’s art, this volume will prove helpful to those who find
Beckett’s work engaging and those who wish to understand more clearly his guiding artistic motivations.
-- J. S. Baggett Choice
Fachgebiete
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Frontmatter
i -
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Contents
ix -
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Note on Sources and Abbreviations
xi -
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Introduction
1 -
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1. First Forms to Accommodate the Mess
17 -
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2. The Will to Mismake, or Fish and Chips
36 -
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3. Nature Painting
53 -
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4. The Alibi of a Foreign Language
61 -
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5. To Hell with All This Fucking Scenery
82 -
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6. No Symbols Where None Intended
90 -
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7. The Psychopathology of Character Creation, or The Series
108 -
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Conclusion
131 -
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Notes
167 -
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Works Cited
179 -
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Acknowledgments
189 -
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Index
191
Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
4. Januar 2016
eBook ISBN:
9780674495838
Seiten und Bilder/Illustrationen im Buch
Inhalt:
188
eBook ISBN:
9780674495838
Zielgruppe(n) für dieses Buch
General/trade;