Buch
Nur in gedruckter Form
you were not expected to do this
on the dynamics of production
-
und
Sprache:
Englisch
Veröffentlicht/Copyright:
2017
Über dieses Buch
Resistance, interference, accidents – all terms which share a distinctly negative connotation of obstructing rather than advancing traditional forms of production. That the opposite may very well be the case more often than not; that certain forms of production may actually benefit from such hindrances or even be of necessity; indeed, that these hindrances add or constitute a manifestation of production in their own right; this is what the conference “you were not expected to do this. on the dynamics of production”, organised by the postgraduate school “Materiality and Production”, set out to explore when it was held at Heinrich Heine University Düsseldorf in April 2014. This book collects some of the contributions to the three-day conference, essentially following its four main points: ‘On the Necessity of Resistance’, ‘Virtual Failures’, ‘Spaces of Accident’, and ‘Working Traces’. From the general resistance of language in matters of translation to deliberately imposed obstructions in the production of art, from the natural dynamics of materiality to more immaterial factors leaving behind their traces in the productions process, what the articles in this book collectively address is that conventional notions of resistance and failure as standing in opposition to invention, progress and creativity need to be significantly updated. In the end, that which is not expected is often that which creates production in the first place.
Fachgebiete
Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
Broschur veröffentlicht am:
6. Juni 2017
Broschur ISBN:
9783957580405
Seiten und Bilder/Illustrationen im Buch
Inhalt:
272
Broschur ISBN:
9783957580405
Schlagwörter für dieses Buch
Heinrich-Heine-Universität Düsseldorf; Graduiertenkolleg; graduiertenkolleg materialität und produktion; Deutsche Forschungsgemeinschaft; DFG; postgraduate school; Materiality and Production; düsseldorf university press; Andrea von Hülsen-Esch; Ricarda Bauschke-Hartung; Vittoria Borsò; Reinhold Görling; Hans Körner; Achim Landwehr; Roger Lüdeke; Eva Schlotheuber; Timo Skrandies; Jürgen Wiener; Claudio Rozzoni; Veronica Peselmann; Akos Hermann; Nicole De Brabandere; Noémie Chardonnens; Joseph S. Freedman; Dawid Kasprowicz; Francesca Valentini; Katharina Thurmair; Claudia Mongini; Louis Schreel; Ralph-Miklas Dobler; Berit Callsen; Friederike Sigler; Katja Gentric; resistance; interference; accident; forms of production; manifestation of production; Necessity of Resistance; Virtual Failures; Spaces of Accident; Working Traces; production of art; natural dynamics of materiality; immateriality; production process; figures of resistance; Erdem Gündüz; Rosa Parks; Matthew Barney; Bartleby; Zinedine Zidane; obstruction; production as resistance; Courbet; The Artist’s Studio; resistance of language; Walter Benjamin; erosive surfacing; grail motif; Roman de Perceforest; The Unexpected; Academic Institution; Hidden Space of Production; Virtuality; Henri Bergson; Gilbert Simondon; Tino Sehgal; Constructed Situations; Organisme d’art; artistic production; Odilon Redon; Aethetic Mechanism; Bio-Production; Immanuel Kant; Analytic of the Sublime; Nathalie Sarraute; Alain Robbe-Grillet; Tracing Labour; Jean-Luc Moulène; Objets de Grève; Act of Doing; Labour and Aftermath; Materialität und Produktion
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