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357NotesIntroduction1. For an excellent initiation to this vast historical and theological subject, see Oz-ment, Age of Reform and Protestants; and Christian Spirituality, ed. Raitt.2. For more on the Basoche, see Harvey’s signature TB; Bouhaïk- Gironès, Les Clercs de la Basoche; ROMD, chap. 3; FF, 4–13; and PF, chap. 1.3. The procurator general of Paris, a rough equivalent of an attorney general, cited by Sainte-Beuve in Tableau historique, 193–95; and in DBD, 107–8, 221–22.4. Cited by Lebègue, Mystère des actes des apôtres, 30–31.5. François Vinchant, Annales de la province et comtédu Hainaut, 5: 267, cited in DBD, 223.6. Rousse devotes vol. 5 of TFFMA to these socie ties; also discussed at length by Reid in “Carnival in Rouen” and “Triumph of the Abbey,” both analyzed by Guynn in PF, e.g., 30–31.7. As this book was going to press, Repre sen ta tions published a dazzling special issue in 2021, titled “Practices of Devotion” edited by Eleanor Craig, Amy Hollywood, and Chris Trujillo (https:// online . ucpress . edu / representations / issue / 153 / 1; accessed 15 March 2021).8. On this rich topic— confession sans repentance in the Roman de la Rose (v. 6924)— see, e.g., Tentler, Sin and Confession, 3–30; and, more generally, PF, 111–125.9. See Pouchelle on “secret places” as both the female reproductive organs and the latrine (Body and Surgery in the Middle Ages, 134), the latter the site of the messy denoue-ment of The Shit house (HD, #2).10. The Constitutions of 1322, cited in Baverstock, Priest as Confessor, 63. You can see a lovely image of an outdoor confession here: https:// www . medievalists . net / wp - content / uploads / 2014 / 11 / Medieval - priest - giving - confession . jpg (accessed 13 April 2021).11. For my revision of Goffman’s “bracketing” in Frame Analy sis, see MBA, 8–11. I coined the term “pseudoperformativity” in “History Trou ble,” by which I mean the ap-pearance or fantasy of a performative that is not one.12. See Hardison’s seminal revisitation of E. K. Chambers and Karl Young in CRCD, Essay 1; ROMD, 54–68; and Dox, Idea of the Theater, 74–85.
© 2022 University of Pennsylvania Press, 3905 Spruce Street Philadelphia, Pennsylvania 19104-4112

357NotesIntroduction1. For an excellent initiation to this vast historical and theological subject, see Oz-ment, Age of Reform and Protestants; and Christian Spirituality, ed. Raitt.2. For more on the Basoche, see Harvey’s signature TB; Bouhaïk- Gironès, Les Clercs de la Basoche; ROMD, chap. 3; FF, 4–13; and PF, chap. 1.3. The procurator general of Paris, a rough equivalent of an attorney general, cited by Sainte-Beuve in Tableau historique, 193–95; and in DBD, 107–8, 221–22.4. Cited by Lebègue, Mystère des actes des apôtres, 30–31.5. François Vinchant, Annales de la province et comtédu Hainaut, 5: 267, cited in DBD, 223.6. Rousse devotes vol. 5 of TFFMA to these socie ties; also discussed at length by Reid in “Carnival in Rouen” and “Triumph of the Abbey,” both analyzed by Guynn in PF, e.g., 30–31.7. As this book was going to press, Repre sen ta tions published a dazzling special issue in 2021, titled “Practices of Devotion” edited by Eleanor Craig, Amy Hollywood, and Chris Trujillo (https:// online . ucpress . edu / representations / issue / 153 / 1; accessed 15 March 2021).8. On this rich topic— confession sans repentance in the Roman de la Rose (v. 6924)— see, e.g., Tentler, Sin and Confession, 3–30; and, more generally, PF, 111–125.9. See Pouchelle on “secret places” as both the female reproductive organs and the latrine (Body and Surgery in the Middle Ages, 134), the latter the site of the messy denoue-ment of The Shit house (HD, #2).10. The Constitutions of 1322, cited in Baverstock, Priest as Confessor, 63. You can see a lovely image of an outdoor confession here: https:// www . medievalists . net / wp - content / uploads / 2014 / 11 / Medieval - priest - giving - confession . jpg (accessed 13 April 2021).11. For my revision of Goffman’s “bracketing” in Frame Analy sis, see MBA, 8–11. I coined the term “pseudoperformativity” in “History Trou ble,” by which I mean the ap-pearance or fantasy of a performative that is not one.12. See Hardison’s seminal revisitation of E. K. Chambers and Karl Young in CRCD, Essay 1; ROMD, 54–68; and Dox, Idea of the Theater, 74–85.
© 2022 University of Pennsylvania Press, 3905 Spruce Street Philadelphia, Pennsylvania 19104-4112
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