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Chapter 1. Narrating the Saint’s Works: Conversations, Personal Stories, and the Making of Cults

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Wonderful to Relate
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chapter oneNarrating the Saint’s Works:Conversations, Personal Stories,and the Making of CultsIn the early1170s, a judge in Bedford sentenced Eilward of Westoningto blinding and castration for petty thievery. Eilward, a pauper, was dulyblinded—a jailor stabbed his eyes with a knife—and castrated. Some dayslater, however, after asking Thomas Becket for help, Eilward discovered thathe could see again. Benedict of Peterborough, one of the two monks at Can-terbury who recorded this story in a miracle collection, describes how peoplecame to see Eilward in Bedford and hear his tale: ‘‘Word of this went outamong the vicinity, and the new thing attracted no small multitude of peo-ple.’’1As Eilward traveled to Canterbury to give thanks at Becket’s tomb, hetold his story to crowds along the road, a scene later pictured in an earlythirteenth-century glass panel in Canterbury Cathedral (Figure1). The origi-nal inscription to this panel read, ‘‘The people stand by as he narrates themighty works of the saint’’ (ASTAT NARRANTI POPULUS MAGNALIASANCTI).2Eilward’s story caused such a buzz and was picked up and retoldso often that it beat him to Canterbury. The Christ Church monks, Benedictcomments, had heard about Eilward’s miracle from many others before hearrived.3While the extent of the oral circulation of Eilward’s story was clearlyextraordinary, the references to conversation, speech, and oral storytelling inthe written accounts of his miracle are not. Medieval miracle collections arefull of such references: as John McNamara has pointed out, the analysis ofhagiographic texts often ‘‘reveals surprising amounts of information aboutthe tellings of these legends in their own contexts.’’4Simon Yarrow writes ofPAGE 9.................17798$$CH1 09-13-10 08:51:14 PS

chapter oneNarrating the Saint’s Works:Conversations, Personal Stories,and the Making of CultsIn the early1170s, a judge in Bedford sentenced Eilward of Westoningto blinding and castration for petty thievery. Eilward, a pauper, was dulyblinded—a jailor stabbed his eyes with a knife—and castrated. Some dayslater, however, after asking Thomas Becket for help, Eilward discovered thathe could see again. Benedict of Peterborough, one of the two monks at Can-terbury who recorded this story in a miracle collection, describes how peoplecame to see Eilward in Bedford and hear his tale: ‘‘Word of this went outamong the vicinity, and the new thing attracted no small multitude of peo-ple.’’1As Eilward traveled to Canterbury to give thanks at Becket’s tomb, hetold his story to crowds along the road, a scene later pictured in an earlythirteenth-century glass panel in Canterbury Cathedral (Figure1). The origi-nal inscription to this panel read, ‘‘The people stand by as he narrates themighty works of the saint’’ (ASTAT NARRANTI POPULUS MAGNALIASANCTI).2Eilward’s story caused such a buzz and was picked up and retoldso often that it beat him to Canterbury. The Christ Church monks, Benedictcomments, had heard about Eilward’s miracle from many others before hearrived.3While the extent of the oral circulation of Eilward’s story was clearlyextraordinary, the references to conversation, speech, and oral storytelling inthe written accounts of his miracle are not. Medieval miracle collections arefull of such references: as John McNamara has pointed out, the analysis ofhagiographic texts often ‘‘reveals surprising amounts of information aboutthe tellings of these legends in their own contexts.’’4Simon Yarrow writes ofPAGE 9.................17798$$CH1 09-13-10 08:51:14 PS
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