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II Writing identity, conflict and class
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Josh Doble
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Chapters in this book
- Front Matter i
- Contents v
- List of figures vii
- Contributors viii
- Foreword xi
- Acknowledgements xvii
- Introduction 1
- I Institutions of empire 27
- 1 ‘Bloomsbury bazaar’ 29
- 2 Anthropology at the end of empire 46
- 3 ‘He is not a “racist” but should not be appointed director of LSE’ 65
- II Writing identity, conflict and class 85
- 4 Beyond experience 87
- 5 Empire, war and class in Graham Swift’s Last Orders (1996) 106
- III Racial others, national memory 125
- 6 White against empire 127
- 7 Racism, redistribution, redress 147
- 8 Exemplar empires 166
- IV At home in postcolonial Britain 187
- 9 Empire, security and citizenship in Arab British fiction 189
- 10 Black, beautiful and essentially British 207
- 11 Convivial cultures and the commodification of otherness in London nightlife in the 1970s and 1980s 230
- 12 Tribe Arts, Tribe Talks 248
- Afterword 259
- Index 267
Chapters in this book
- Front Matter i
- Contents v
- List of figures vii
- Contributors viii
- Foreword xi
- Acknowledgements xvii
- Introduction 1
- I Institutions of empire 27
- 1 ‘Bloomsbury bazaar’ 29
- 2 Anthropology at the end of empire 46
- 3 ‘He is not a “racist” but should not be appointed director of LSE’ 65
- II Writing identity, conflict and class 85
- 4 Beyond experience 87
- 5 Empire, war and class in Graham Swift’s Last Orders (1996) 106
- III Racial others, national memory 125
- 6 White against empire 127
- 7 Racism, redistribution, redress 147
- 8 Exemplar empires 166
- IV At home in postcolonial Britain 187
- 9 Empire, security and citizenship in Arab British fiction 189
- 10 Black, beautiful and essentially British 207
- 11 Convivial cultures and the commodification of otherness in London nightlife in the 1970s and 1980s 230
- 12 Tribe Arts, Tribe Talks 248
- Afterword 259
- Index 267