Chapter
Publicly Available
Contents
-
Paul Friedland
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction 1
-
I: THE REVOLUTION IN REPRESENTATION
- Prologue. A Parable: The Revolution in Theatrical Representation 17
- I. Embodiment: Concrete Re-presentation in Premodern France 29
- 2. A New Political Aesthetic: Public Opinion and the Birth of the Modern Political Audience 52
- Entr'acte. Public Opinion and the Theater 81
- 3. The Resurrection and Refashioning of the Estates General 91
- 4. Praxis: The Birth of the National Assembly and the Death of the Binding Mandate 124
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II: REPRESENTATION IN THE REVOLUTION
- 5. Metissage: The Merging of Theater and Politics in Revolutionary France 167
- 6. Theater Critics: Reactions to Actors on the Political Stage 197
- 7. The Fear and Ridicule of Revolutionary Representations 228
- 8. Breaching the Fourth: Wall Spectators Storm the Stage, Actors Invade the Audience 258
- Conclusion 295
- Notes 301
- Index 343
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction 1
-
I: THE REVOLUTION IN REPRESENTATION
- Prologue. A Parable: The Revolution in Theatrical Representation 17
- I. Embodiment: Concrete Re-presentation in Premodern France 29
- 2. A New Political Aesthetic: Public Opinion and the Birth of the Modern Political Audience 52
- Entr'acte. Public Opinion and the Theater 81
- 3. The Resurrection and Refashioning of the Estates General 91
- 4. Praxis: The Birth of the National Assembly and the Death of the Binding Mandate 124
-
II: REPRESENTATION IN THE REVOLUTION
- 5. Metissage: The Merging of Theater and Politics in Revolutionary France 167
- 6. Theater Critics: Reactions to Actors on the Political Stage 197
- 7. The Fear and Ridicule of Revolutionary Representations 228
- 8. Breaching the Fourth: Wall Spectators Storm the Stage, Actors Invade the Audience 258
- Conclusion 295
- Notes 301
- Index 343