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Realism and Convention on the Stage
-
Valery Bryusov
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Chapters in this book
- Frontmatter i
- Contents ix
- Foreword xi
- Introduction xv
-
Russian Dramatic Theory from Pushkin to the Symbolists
- My Remarks on the Russian Theater 1
- On National-Popular Drama and the Play Martha the Seneschal's Wife 8
- Petersburg Notes for 1836 16
- A Theater Lets Out after the Performance of a New Comedy 29
- Dramatic Poesy 60
- A Type of the Current Drama 71
- More about Sarah Bernhardt 83
- The Cherry Orchard 89
- Drama at the Lower Depths 93
- On Drama 107
- The Theater of a Single Will 132
- Theater and Modern Drama 149
- Realism and Convention on the Stage 171
- Introduction to Monodrama 183
- Russian Dramatists 200
- The Essence of Tragedy 210
- Letters on the Theater 223
- Notes 273
- Selected Bibliography 305
- Index 309
Chapters in this book
- Frontmatter i
- Contents ix
- Foreword xi
- Introduction xv
-
Russian Dramatic Theory from Pushkin to the Symbolists
- My Remarks on the Russian Theater 1
- On National-Popular Drama and the Play Martha the Seneschal's Wife 8
- Petersburg Notes for 1836 16
- A Theater Lets Out after the Performance of a New Comedy 29
- Dramatic Poesy 60
- A Type of the Current Drama 71
- More about Sarah Bernhardt 83
- The Cherry Orchard 89
- Drama at the Lower Depths 93
- On Drama 107
- The Theater of a Single Will 132
- Theater and Modern Drama 149
- Realism and Convention on the Stage 171
- Introduction to Monodrama 183
- Russian Dramatists 200
- The Essence of Tragedy 210
- Letters on the Theater 223
- Notes 273
- Selected Bibliography 305
- Index 309