NOTES

Chapters in this book

1. Frontmatter i
2. CONTENTS vii
3. ACKNOWLEDGMENTS ix
4. INTRODUCTION. Hitchcock, Gender, and the New Hollywood 1
5. Chapter One. Cruising, Hysteria, Knowledge: The Man Who Knew Too Much (1956) 21
6. Chapter Two “You Are Alone Here, Aren’t You?”: Psycho’s Doubles 61
7. Chapter Three. Blank Screens: Psycho and the Pornographic Gaze 89
8. Chapter Four. Misfortune and Men’s Eyes: Three Early De Palma Comedies 109
9. Chapter Five. A Sense of Vertigo: Taxi Driver 145
10. Chapter Six. Mirror Shades: Cruising 183
11. Chapter Seven The Gender Museum: Dressed to Kill 207
12. Coda. Ideology at an Impasse 247
13. NOTES 251
14. BIBLIOGRAPHY 279
15. INDEX 289