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13. Transcript for English and Spanish narration of La Ofrenda: The Days of the Dead

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Lourdes Portillo
This chapter is in the book Lourdes Portillo
© 2021 University of Texas Press

© 2021 University of Texas Press

Chapters in this book

  1. Frontmatter i
  2. Contents vi
  3. Acknowledgments ix
  4. Introduction 1
  5. Part One: The Woman behind the Camera
  6. 1. Interview with Lourdes Portillo (1998) 25
  7. 2. Interview with Lourdes Portillo (1994) 40
  8. 3. Interview with Lourdes Portillo (1990) 48
  9. Part Two: Critical Perspectives
  10. 4. Devils and Ghosts, Mothers and Immigrants: A Critical Retrospective of the Works of Lourdes Portillo 75
  11. 5. Ironic Framings: A Queer Reading of the Family (Melo)drama in Lourdes Portillo’s The Devil Never Sleeps/El diablo nunca duerme 102
  12. 6. Performances of The Devil Never Sleeps/El diablo nunca duerme 119
  13. 7. Who Is the Devil, and How or Why Does He or She Sleep? Viewing a Chicana Film in Mexico 144
  14. 18. Pinning Down the Bad-Luck Butterfly: Photography and Identity in the Films of Lourdes Portillo 160
  15. Part Three: Production Materials
  16. 9. Script notes for Después del terremoto 192
  17. 10. Cast List for Después del terremoto 203
  18. 11. Funding application for Después del terremoto 207
  19. 12. Letter for Oscar Nomination of Las Madres: The Mothers of the Plaza de Mayo 210
  20. 13. Transcript for English and Spanish narration of La Ofrenda: The Days of the Dead 211
  21. 14. Transcript for interviews in La Ofrenda 239
  22. 15. Screenplay for Columbus on Trial 243
  23. 16. Floor plans for set design of Columbus on Trial 256
  24. 17. Storyboard for Columbus on Trial 259
  25. Appendix: ¿Quién es el diablo, cómo y por qué duerme? La lectura de una película chicana en México 281
  26. Filmography 296
  27. Major Awards and Honors 297
  28. Notes 300
  29. Notes on Contributors 312
  30. Index 314
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