Multicultural Comics
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Edited by:
Frederick Luis Aldama
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With contributions by:
Derek Parker Royal
About this book
Multicultural Comics: From Zap to Blue Beetle is the first comprehensive look at comic books by and about race and ethnicity. The thirteen essays tease out for the general reader the nuances of how such multicultural comics skillfully combine visual and verbal elements to tell richly compelling stories that gravitate around issues of race, ethnicity, gender, and sexuality within and outside the U.S. comic book industry. Among the explorations of mainstream and independent comic books are discussions of the work of Adrian Tomine, Grant Morrison, and Jessica Abel as well as Marv Wolfman and Gene Colan's The Tomb of Dracula; Native American Anishinaabe-related comics; mixed-media forms such as Kerry James Marshall's comic-book/community performance; DJ Spooky's visual remix of classic film; the role of comics in India; and race in the early Underground Comix movement. The collection includes a "one-stop shop" for multicultural comic book resources, such as archives, websites, and scholarly books. Each of the essays shows in a systematic, clear, and precise way how multicultural comic books work in and of themselves and also how they are interconnected with a worldwide tradition of comic-book storytelling.
Author / Editor information
Frederick Luis Aldama is Arts and Humanities Distinguished Professor of English at Ohio State University. He is the author and editor of eleven books, including Postethnic Narrative Criticism; the MLA–award winning Dancing with Ghosts: A Critical Biography of Arturo Islas; Why the Humanities Matter; Your Brain on Latino Comics; and A User's Guide to Postcolonial and Borderland Fiction.
Topics
Publicly Available Download PDF |
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Publicly Available Download PDF |
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Derek Parker Royal Publicly Available Download PDF |
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Frederick Luis Aldama Requires Authentication Unlicensed Licensed Download PDF |
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PART I. HISTORY, CONCEPTS, AND METHODS
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Leonard Rifas Requires Authentication Unlicensed Licensed Download PDF |
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Jonathan Risner Requires Authentication Unlicensed Licensed Download PDF |
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How We See Stories / Ezhi-g’waabamaanaanig Aadizookaanag Margaret Noori Requires Authentication Unlicensed Licensed Download PDF |
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Melinda L. de Jesús Requires Authentication Unlicensed Licensed Download PDF |
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Articulating Black Heroism through Cultural Fusion and Comics Rebecca Wanzo Requires Authentication Unlicensed Licensed Download PDF |
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Representation, Nationhood, and Graphic Revolution in the Works of D. W. Griffith, DJ Spooky, and Aaron McGruder et al James Braxton Peterson Requires Authentication Unlicensed Licensed Download PDF |
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Jessica Abel’s La Perdida, the Bildungsroman, and “That ‘Mexican’ Feel” Patrick L. Hamilton Requires Authentication Unlicensed Licensed Download PDF |
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Graphic Alterity in the Work of Gene Luen Yang, Adrian Tomine, and Derek Kirk Kim Jared Gardner Requires Authentication Unlicensed Licensed Download PDF |
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PART II. A MULTICULTURAL COMIC BOOK TOOLBOX
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Marvel Gets Multicultural in The Tomb of Dracula Elizabeth Nixon Requires Authentication Unlicensed Licensed Download PDF |
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Evan Thomas Requires Authentication Unlicensed Licensed Download PDF |
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Suhaan Mehta Requires Authentication Unlicensed Licensed Download PDF |
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Nicholas Hetrick Requires Authentication Unlicensed Licensed Download PDF |
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Observations on Conducting Multicultural Comics Research Jenny E. Robb and Rebecca Wanzo Requires Authentication Unlicensed Licensed Download PDF |
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