Filming Difference
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Edited by:
Daniel Bernardi
About this book
Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about the ways in which the art and craft of filmmaking force creative people to confront stereotypes and examine their own identities while representing the complexities of their subjects.
Selections range from C. A. Griffith's "Del Otro Lado: Border Crossings, Disappearing Souls, and Other Transgressions" and Celine Perreñas Shimizu's "Pain and Pleasure in the Flesh of Machiko Saito's Experimental Movies" to Christopher Bradley's "I Saw You Naked: 'Hard' Acting in 'Gay' Movies," along with Kevin Sandler's interview with Paris Barclay, Yuri Makino's interview with Chris Eyre, and many other perspectives on the implications of film production, writing, producing, and acting.
Technical aspects of the craft are considered as well, including how contributors to filmmaking plan and design films and episodic television that feature difference, and how the tools of cinema—such as cinematography and lighting—influence portrayals of gender, race, and sexuality. The struggle between economic pressures and the desire to produce thought-provoking, socially conscious stories forms another core issue raised in Filming Difference. Speaking with critical rigor and creative experience, the contributors to this collection communicate the power of their media.
Author / Editor information
Daniel Bernardi is Director of Film and Media Studies at Arizona State University in Tempe. He is the author of STAR TREK and History: Race-ing Toward Whiteness and editor of several volumes on whiteness and film history.
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Daniel Bernardi Requires Authentication Unlicensed Licensed Download PDF |
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Part 1 Exposing bodies
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Laura Kissel Requires Authentication Unlicensed Licensed Download PDF |
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Christopher Bradley Requires Authentication Unlicensed Licensed Download PDF |
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Celine Parreñas Shimizu Requires Authentication Unlicensed Licensed Download PDF |
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Part 2 Border visions
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Beyond the Academic Director Cristina Kotz Cornejo Requires Authentication Unlicensed Licensed Download PDF |
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John Thornton Caldwell Requires Authentication Unlicensed Licensed Download PDF |
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Daniel Bernardi Requires Authentication Unlicensed Licensed Download PDF |
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Part 3 Global identities
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Border Crossings, Disappearing Souls, and Other Transgressions C. A. Griffith Requires Authentication Unlicensed Licensed Download PDF |
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The Inquisition of a Creative Process Daniel S. Cutrara Requires Authentication Unlicensed Licensed Download PDF |
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José Guadalupe Posada Interviews John Jota Leaños John Jota Leaños Requires Authentication Unlicensed Licensed Download PDF |
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Part 4 Independent ambitions
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Representation, Race, and the Role of the Academic Filmmaker Aaron Greer Requires Authentication Unlicensed Licensed Download PDF |
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Developing Roles Different from Oneself Sheldon Schiffer Requires Authentication Unlicensed Licensed Download PDF |
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An Interview with Chris Eyre 2 Yuri Makino Requires Authentication Unlicensed Licensed Download PDF |
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Part 5 True Hollywood stories
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An Interview with Filmmaker Karyn Kusama Dan Rybicky Requires Authentication Unlicensed Licensed Download PDF |
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Kathryn F. Galán Requires Authentication Unlicensed Licensed Download PDF |
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An Interview with Kimberly Peirce Denise Mann Requires Authentication Unlicensed Licensed Download PDF |
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An Interview with Paris Barclay Kevin Sandler Requires Authentication Unlicensed Licensed Download PDF |
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Chiara Ferrari Requires Authentication Unlicensed Licensed Download PDF |
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