Chapter
Licensed
Unlicensed
Requires Authentication
4 Mulholland Drive, Cahiers du cinéma, and the Horror of Cinephilia
-
Steven Dillon
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Acknowledgments xiii
- 1 Tarkovsky’s Solaris and the Cinematic Abyss 1
- 2 Steven Soderbergh’s TintedWorld 21
- 3 Aronofsky, Sundance, and the Return to Nature 45
- 4 Mulholland Drive, Cahiers du cinéma, and the Horror of Cinephilia 77
- 5 Spielberg’s A.I.: Animation, Time, and Digital Culture 105
- 6 Cinema against Art: Artists and Paintings in Contemporary American Film 141
- 7 A Plague of Frogs: Expressionism and Naturalism in 1990s American Film 173
- 8 Situating American Film in Godard, Jarmusch, and Scorsese 209
- Notes 233
- Bibliography 253
- Index 261
Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Acknowledgments xiii
- 1 Tarkovsky’s Solaris and the Cinematic Abyss 1
- 2 Steven Soderbergh’s TintedWorld 21
- 3 Aronofsky, Sundance, and the Return to Nature 45
- 4 Mulholland Drive, Cahiers du cinéma, and the Horror of Cinephilia 77
- 5 Spielberg’s A.I.: Animation, Time, and Digital Culture 105
- 6 Cinema against Art: Artists and Paintings in Contemporary American Film 141
- 7 A Plague of Frogs: Expressionism and Naturalism in 1990s American Film 173
- 8 Situating American Film in Godard, Jarmusch, and Scorsese 209
- Notes 233
- Bibliography 253
- Index 261
