CHAPTER 3 Photography and Ethnography

Chapters in this book

1. Frontmatter i
2. Contents vi
3. Historical Foreword ix
4. Preface xiii
5. Acknowledgments xv
6. Introduction 1
7. Section I PHOTOGRAPHY NOW
8. CHAPTER 1 Photographic Exploration of Social and Cultural Experience 13
9. CHAPTER 2 Documentary Photography in the Field 33
10. CHAPTER 3 Photography and Ethnography 53
11. Section II IMAGES FROM THE PAST
12. CHAPTER 4 Historical Photographs of North American Indians: Primary Documents, BUT View with Care 81
13. CHAPTER 5 Blasting a Boulder and Building Memories 97
14. Section III MOVING PICTURES: FILM, VIDEO, AND COMPUTERGENERATED MEDIA
15. CHAPTER 6 Reading the Mind of the Ethnographic Filmmaker: Mining a Flawed Genre for Anthropological Content 121
16. CHAPTER 7 Visual Anthropology in a Time of War: Intimacy and Interactivity in Ethnographic Media 141
17. CHAPTER 8 Guestworkers: Farmworkers, Filmmakers, and Their Obligations in the Field 181
18. Section IV ROADS LESS TRAVELED: UNUSUAL SUBFIELDS
19. Part I UNCOMMON SUBJECT AREAS
20. CHAPTER 9 Envisioning Primates 205
21. CHAPTER 10 Steps to an Ethnography of Dance 229
22. CHAPTER 11 Looking for the Past in the Present Ethnoarchaeology at al-Hiba 255
23. Part II Media BEYOND CAMERA WORK
24. CHAPTER 12 In Search of Live Relics in Cold Lake 287
25. CHAPTER 13 Art and Mind Working on Murals 297
26. CHAPTER 14 Art History and Anthropology: LOULY PEACOCK KONZ and JAMES PEACOCK 327
27. SECTION V Epilogue
28. CHAPTER 15 Elementary Forms of the Digital Media Tools for Applied Action Collaboration and Research in Visual Anthropology 363
29. Glossary 388
30. Author Biographies 406
31. Index 408