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The Death and Life of Drama

Reflections on Writing and Human Nature
  • Lance Lee
Language: English
Published/Copyright: 2005
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About this book

What makes a film "work," so that audiences come away from the viewing experience refreshed and even transformed in the way they understand themselves and the world around them? In The Death and Life of Drama, veteran screenwriter and screenwriting teacher Lance Lee tackles this question in a series of personal essays that thoroughly analyze drama's role in our society, as well as the elements that structure all drama, from the plays of ancient Athens to today's most popular movies.

Using examples from well-known classical era and recent films, Lee investigates how writers handle dramatic elements such as time, emotion, morality, and character growth to demonstrate why some films work while others do not. He seeks to define precisely what "action" is and how the writer and the viewer understand dramatic reality. He looks at various kinds of time in drama, explores dramatic context from Athens to the present, and examines the concept of comedy. Lee also proposes a novel "five act" structure for drama that takes account of the characters' past and future outside the "beginning, middle, and end" of the story. Deftly balancing philosophical issues and practical concerns, The Death and Life of Drama offers a rich understanding of the principles of successful dramatic writing for screenwriters and indeed everyone who enjoys movies and wants to know why some films have such enduring appeal for so many people.

Author / Editor information

Lance Lee has taught screenwriting to students at all levels for many years. He lives in Pacific Palisades, California.

Reviews

This is an intelligent, practical, and interesting study of the screenwriting art and craft. . . . Lee's explorations into underlying philosophy and the psychological intricacies of character behavior and story consequences are so well developed they could easily be taken as case histories of real people and real events. One can scarcely have higher praise for [this] cogent analysis of the moviemaker's art.
— Robert Foshko

Lee presents an intelligent, historically informed discussion of how and why some films are inherently better than others. . . . He gives audiences and those of us who teach film some important ideas about how to evaluate the quality and significance of one film as opposed to another. . . . The book is filled with tantalizing, thought-provoking, and insightful ideas.
— Joanna E. Rapf


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Part I Immediate Issues

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Part II The Cooked and the Raw

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Part III The Lost Poetics of Comedy

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Part IV The Nature of Dramatic Action

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Part V The Death and Life of Drama

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Ingmar Bergman’s Fanny and Alexander
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
January 1, 2010
eBook ISBN:
9780292796744
Pages and Images/Illustrations in book
Main content:
272
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