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10. Uploading Memory
Repurposing Historical Icons as Rituals of Remembrance in #Uploading_Holocaust (2016)
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Yael Mazor
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Chapters in this book
- Frontmatter i
- CONTENTS v
- Introduction 1
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PART I ISRAELI FILM IN A POST-CINEMATIC AGE
- 1. Toward a “Mystical Society” 13
- 2. Avi Nesher’s Present-Past Trilogy 36
- 3. Palestinian Ghosts on Israeli Screens 54
- 4. Track Changes 74
- 5. A Look at Ageing 96
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PART II THE GLOBAL CONTEXT OF ISRAELI NATIONAL TELEVISION
- 6. Set within a Set 123
- 7. Inevitable Lies and Impossible Truths 138
- 8. Valley of Tears (2020) and the Aesthetics of Populism 165
- 9. The New Black 187
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PART III THE CREATIVE IMPERATIVES OF ONLINE MEDIA IN ISRAEL AND BEYOND
- 10. Uploading Memory 217
- 11. Don’t Grow Up, It’s a Trap 242
- 12. Genre Fluidity 270
- 13. Welcome to the Middle East 288
- Contributors 313
- Index 317
Chapters in this book
- Frontmatter i
- CONTENTS v
- Introduction 1
-
PART I ISRAELI FILM IN A POST-CINEMATIC AGE
- 1. Toward a “Mystical Society” 13
- 2. Avi Nesher’s Present-Past Trilogy 36
- 3. Palestinian Ghosts on Israeli Screens 54
- 4. Track Changes 74
- 5. A Look at Ageing 96
-
PART II THE GLOBAL CONTEXT OF ISRAELI NATIONAL TELEVISION
- 6. Set within a Set 123
- 7. Inevitable Lies and Impossible Truths 138
- 8. Valley of Tears (2020) and the Aesthetics of Populism 165
- 9. The New Black 187
-
PART III THE CREATIVE IMPERATIVES OF ONLINE MEDIA IN ISRAEL AND BEYOND
- 10. Uploading Memory 217
- 11. Don’t Grow Up, It’s a Trap 242
- 12. Genre Fluidity 270
- 13. Welcome to the Middle East 288
- Contributors 313
- Index 317
