Ay Tú!
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Edited by:
Sonia Saldívar-Hull
About this book
A comprehensive volume on the life and work of renowned Chicana author Sandra Cisneros.
Sandra Cisneros (b. 1954), author of the acclaimed novel The House on Mango Street and a recipient of the National Medal of the Arts, a MacArthur “Genius Grant” and the PEN/Nabokov Award for International Literature, was the first Chicana to be published by a major publishing house. ¡Ay Tú! is the first book to offer a comprehensive, critical examination of her life and work as a whole. Edited by scholars Sonia Saldívar-Hull and Geneva M. Gano, this volume addresses themes that pervade Cisneros’s oeuvre, like romantic and erotic love, female friendship, sexual abuse and harassment, the exoticization of the racial and ethnic “other,” and the role of visual arts in the lives of everyday people. Essays draw extensively on the newly opened Cisneros Papers, housed in the Wittliff Collections at Texas State University, and the volume concludes with a new long-form interview with Cisneros by the award-winning journalist Macarena Hernández.
As these essays reveal, Cisneros’s success in the literary field was integrally connected to the emergent Chicana feminist movement and the rapidly expanding Chicanx literary field of the late twentieth century. This collection shows that Cisneros didn’t achieve her groundbreaking successes in isolation and situates her as a vital Chicana feminist writer and artist.
Author / Editor information
Sonia Saldívar-Hull is a professor emerita of English at the University of Texas at San Antonio. She is the author of Feminism on the Border: Chicana Literature and Politics.
Geneva M. Gano is a professor of English at Texas State University and the author of The Little Art Colony and US Modernism.
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The Sinvergüenza Collective Publicly Available Download PDF |
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Part I ¡Ay, Qué Rico!
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Mary Pat Brady Requires Authentication Unlicensed Licensed Download PDF |
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Navigating Chicago’s Racialized Space in The House on Mango Street Olga L. Herrera Requires Authentication Unlicensed Licensed Download PDF |
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“I Think of Me to Gluttony” Adriana Estill Requires Authentication Unlicensed Licensed Download PDF |
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Performative Metaphors for Storytelling in Sandra Cisneros’s Caramelo Shanna M. Salinas Requires Authentication Unlicensed Licensed Download PDF |
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Community Cartography in Sandra Cisneros’s Woman Hollering Creek Teresa Hernández Requires Authentication Unlicensed Licensed Download PDF |
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Part II Love, Shame, and Sinvergüenzas
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Belinda Linn Rincón Requires Authentication Unlicensed Licensed Download PDF |
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Overcoming School-Inflicted Shame through Transgressive Literary Aesthetics in Sandra Cisneros’s Life and Writing Georgina Guzmán Requires Authentication Unlicensed Licensed Download PDF |
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Richard T. Rodríguez Requires Authentication Unlicensed Licensed Download PDF |
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Locating the Collaborative Origins of Sandra Cisneros’s and Joy Harjo’s Poetic Voices Audrey Goodman Requires Authentication Unlicensed Licensed Download PDF |
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The Impact of Norma Alarcón and Sandra Cisneros’s Friendship on Chicana Feminist Literature Sara A. Ramírez Requires Authentication Unlicensed Licensed Download PDF |
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Examining the Archive of Letters between Sandra Cisneros and Helena María Viramontes Linda Margarita Greenberg Requires Authentication Unlicensed Licensed Download PDF |
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Part III ¡Adelante! Seeing and Listening with Cisneros
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Tey Marianna Nunn Requires Authentication Unlicensed Licensed Download PDF |
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A Plática with Sandra Cisneros Macarena Hernández Requires Authentication Unlicensed Licensed Download PDF |
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