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"Index". Make Ours Marvel: Media Convergence and a Comics Universe, edited by Matt Yockey, New York, USA: University of Texas Press, 2017, pp. 351-358. https://doi.org/10.7560/312490-016

(2017). Index. In M. Yockey (Ed.), Make Ours Marvel: Media Convergence and a Comics Universe (pp. 351-358). New York, USA: University of Texas Press. https://doi.org/10.7560/312490-016

2017. Index. In: Yockey, M. ed. Make Ours Marvel: Media Convergence and a Comics Universe. New York, USA: University of Texas Press, pp. 351-358. https://doi.org/10.7560/312490-016

"Index" In Make Ours Marvel: Media Convergence and a Comics Universe edited by Matt Yockey, 351-358. New York, USA: University of Texas Press, 2017. https://doi.org/10.7560/312490-016

Index. In: Yockey M (ed.) Make Ours Marvel: Media Convergence and a Comics Universe. New York, USA: University of Texas Press; 2017. p.351-358. https://doi.org/10.7560/312490-016

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Chapters in this book

Frontmatter i
Contents v
Acknowledgments vii
Introduction. Excelsior! Or, Everything Th at Rises Must Converge 1
Chapter 1. Reforming the “Justice” System. Marvel’s Avengers and the Transformation of the All-Star Team Book 39
Chapter 2. Man Without Fear. David Mack, Daredevil, and the “Bounds of Diff erence” in Superhero Comics 66
Chapter 3. “This Female Fights Back!” A Feminist History of Marvel Comics 105
Chapter 4. “Share Your Universe”. Generation, Gender, and the Future of Marvel Publishing 138
Chapter 5. Breaking Brand 164 From NuMarvel to MarvelNOW! Marvel Comics in the Age of Media Convergence 164
Chapter 6. Marvel and the Form of Motion Comics 187
Chapter 7. Transmedia Storytelling in the “Marvel Cinematic Universe” and the Logics of Convergence-Era Popular Seriality 207
Chapter 8. The Marvel One-Shots and Transmedia Storytelling 234
Chapter 9. Spinning Webs Constructing Authors, Genre, and Fans in the Spider-Man Film Franchise 248
Chapter 10. Playing Peter Parker Spider-Man and Superhero Film Performance 268
Chapter 11. Spotting Stan 297 Th e Fun and Function of Stan Lee’s Cameos in the Marvel Universe(s) 297
chapter 12. Schrödinger’s Cape The Quantum Seriality of the Marvel Multiverse 319
Notes on Contributors 347
Index 351

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https://doi.org/10.7560/312490-016

Chapters in this book

Frontmatter i
Contents v
Acknowledgments vii
Introduction. Excelsior! Or, Everything Th at Rises Must Converge 1
Chapter 1. Reforming the “Justice” System. Marvel’s Avengers and the Transformation of the All-Star Team Book 39
Chapter 2. Man Without Fear. David Mack, Daredevil, and the “Bounds of Diff erence” in Superhero Comics 66
Chapter 3. “This Female Fights Back!” A Feminist History of Marvel Comics 105
Chapter 4. “Share Your Universe”. Generation, Gender, and the Future of Marvel Publishing 138
Chapter 5. Breaking Brand 164 From NuMarvel to MarvelNOW! Marvel Comics in the Age of Media Convergence 164
Chapter 6. Marvel and the Form of Motion Comics 187
Chapter 7. Transmedia Storytelling in the “Marvel Cinematic Universe” and the Logics of Convergence-Era Popular Seriality 207
Chapter 8. The Marvel One-Shots and Transmedia Storytelling 234
Chapter 9. Spinning Webs Constructing Authors, Genre, and Fans in the Spider-Man Film Franchise 248
Chapter 10. Playing Peter Parker Spider-Man and Superhero Film Performance 268
Chapter 11. Spotting Stan 297 Th e Fun and Function of Stan Lee’s Cameos in the Marvel Universe(s) 297
chapter 12. Schrödinger’s Cape The Quantum Seriality of the Marvel Multiverse 319
Notes on Contributors 347
Index 351

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